Under the Empyrean Sky is the story of Cael and his friends, Rigo and Lane. They live in the Heartland, an agrarian world of genetically modified corn where no other crops thrive because of the aggressiveness of the new crop. There is little to no opportunity for education or work because the Empyreans, a separate section of their society that cruises overhead on their giant, flying machines, controls every aspect of their life from the food that they eat to who they can marry. Cael is the head of a scavenger crew who, in the course of their work day, stumbles across a forbidden garden and their lives change course forever.
This story was exciting. From the first scene of a race between scavenger crews for a malfunctioning piece of farm equipment to the end with an inevitable clash with the Empyrean, the story unfolds at a breakneck pace. If Cael isn’t dodging the local Overseers, he’s sneaking into quarantined cities or trying to harvest illicit vegetables. I loved how this novel was nearly constant action.
The dystopian world that Wendig creates feels scary and out of control. The plants, that the Heartlanders are forced to cultivate, attack them. The Empyreans, who aren’t properly introduced in this novel but I assume that they will be in future books, are outlandishly rich, extremely powerful through their advanced technology, and completely removed from the reality on the ground. The local authorities take advantage of the power of their position to line their own pockets at the expense of their neighbors. The reader feels Cael’s fury at his inability to control his life and the unfairness of the situation into which he was born.
It’s a small thing, but I didn’t like how the first half of the book was told nearly exclusively from Cael’s point of view and then towards the second half, the viewpoint began to bounce around between Cael and his friends. I think I would have enjoyed the story more if the narrator had remained the same throughout or had switched around from the beginning.
Another small complaint about the story is that the Empyrean lottery to join the ruling class on their air ships felt a lot like The Hunger Games or The Giver but with the outcome being presumably positive instead of a death match. Maybe it’s time for YA dystopian literature to move away from the lottery scenario.
That being said, fans of The Hunger Games or other survival/dystopian stories may really enjoy Under the Empyrean Sky. It’s fast-paced and surprising in its twists and turns. I sincerely hope that Cael’s story turns out well, but with the enormous odds stacked against him, it seems almost impossible that it could. I guess I’ll have to read the next book and find out.
I received this book as part of the Goodreads First Reads giveaway program.
Thanks for reading!
A wholly original shape-shifter tale that also delves into identity, gender roles, and love. Alok is a college professor who is approached one night by a person who claims to be more than a man. Alok doesn’t believe the stranger until an unbelievable vision, caused by the man’s hypnotic words, appears in Alok’s mind. Suddenly, the stranger’s claims that he’s a werewolf don’t seem so far fetched. The stranger, who won’t reveal his name, has a job for Alok, the transcription of an ancient narrative that was written by a shape-shifter, a creature of magic and blood that consumes humans like prey. Through his work on the story, Alok comes to know the stranger and a world that is beyond anything he ever dreamed.
Warning: minor spoilers ahead! Read with caution.
Typical young adult fantasy in that the ‘big twist’ was obvious from the start, but this story still has some charm. Cinder is a cyborg mechanic who wants to go to the ball, but she doesn’t have the time or money to do so. She lives in a world where cyborgs are despised, but tolerated. Humankind is suffering from a plague, one which strikes without warning and leaves the affected dead within days. There’s a draft for cyborgs to be tested upon in order to find a cure for this disease but Cinder is lucky in that her number hasn’t been drawn yet.
This book was very strange. It reminded me of Charlie and the Great Glass Elevator by Roald Dahl. Moers writes page after page of strange creatures, worlds, and circumstances that are only connected because Bluebear passes through them. And, like in Dahl’s book, I felt like the author was always hinting about a greater truth behind the story, as if The 13 1/2 Lives of Captain Bluebear was more a gigantic allegory than a children’s book. I enjoyed the fantastic nature of it but I didn’t like the long lists of creatures that read more like crazy encyclopedic entries than an actual story with characters.
Sometimes life kills you before you die. It’s not a death of the body but a slow wearing away of the spirit that you carried from your birth through your childhood until wherever it is that time finds you now. That flickering flame of beliefs and dreams that you somehow knew was a true vision of reality but you had no real reason to believe so, except that inner feeling in your chest that would incline its head in quiet acknowledgment when you consult it. I thought that life had devoured my romantic streak but then this little book of poetry made me cry and I realized that my flame still burns. Some things can never be lost. That’s what this collection made me feel. I suppose all good poetry should make you feel like that.
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