I recently had the opportunity to watch Colin Farrell’s latest film, The Ballad of a Small Player, and I liked it far more than any of the other reviewers that I could find online when the movie was done. I shall attempt to explain why here.
Also, fair warning, this discussion will have major spoilers for the film. Please do not proceed if you haven’t seen it yet.
Again, major spoilers ahead. Due diligence done.
First, for just a little bit of context if you haven’t seen it, the film is set in Macau, an exotic locale that I have never visited but the crowded and brightly lit casinos were quite familiar as I have been to Las Vegas. The bright lights and lavish interiors of the rooms are beautiful, and they are meant to be so in order to lure high rollers through their doors in order to take their money at the casinos.
Beauty and lavishness aside, I really don’t understand the draw of a place where day blends into night and back again while you gamble away the very thing that keeps a roof over your head and food in your mouth. But, I’m fortunate in that gambling isn’t one of my preferred vices.
We meet the protagonist of the film, Lord Doyle played by Farrell, as he’s waking up in one of these casinos. The room is a mess which suggests he’s been gambling for quite some time. It also leads the viewer to think, despite the evidence of high living, that Lord Doyle has not been successful. If he was, wouldn’t have he allowed the cleaning folks in to straighten the room or at least change the sheets?
The next few scenes continue this failed gambler storyline with the bell boy at the front of the hotel encouraging Lord Doyle to visit another casino because they “may” be willing to extend the unfortunate gambler a line of credit which the current casino is declining to do. Lord Doyle is also given a short deadline to pay off a very major bill and threatened with legal action if he does not comply. It all adds to a growing feeling of pressure and dread which lasted throughout the film.
In the every day world, this pressure to earn, then spend, and earn again, is a vicious cycle. Humanity has become quite adept at providing reasons to spend every cent earned on every day essentials from over-priced housing and food to the luxuries that are required status symbols, the necessary requirements to move up the invisible ladder of the upper eschelons of society into the imaginery rarified air above everybody else.
It’s depressing, isn’t it? To be honest, I had a hard time watching the introduction to this film. I feel enough of that pressure to earn, spend, and conform in my daily life and didn’t really feel the need to explore that discomfort in my free time. But, the minor disruption to one’s inner peace is worth it for what comes next in this metaphorical and highly symbolic film.
For the rest of my review, please go to https://www.patreon.com/TheLightCongress/posts/edward-bergers-170394309
Thanks for reading,
Heidi
- Steve Cox and Matthew Walker’s Shaun the Sheep: The Beast of Mossy Bottom, a review
- Christopher Nolan’s The Odyssey, a review
- Edward Berger’s The Ballad of a Small Player, a review
- Otherwhere: A Field Guide to Nonphysical Reality for the Out-Of-Body Traveler by Kurt Leland
- Psychic Dreamwalking: Explorations at the Edge of Self by Michelle Belanger






