The Heretic’s Guide to Homecoming: Book One: Theory by Sienna Tristen

The Heretic’s Guide to Homecoming: Book One: Theory by Sienna Tristen

The Heretic’s Guide to Homecoming is a fantasy journey in which Ronoah, an introverted and anxious main character, discovers a strength inside himself that he didn’t know he had and, along the way, learns about the world outside of the regimented and ill-fitting expectations of his hometown.

It is not a simple adventure because Ronoah, with all of his hang ups, is a very unlikely hero.

“… Ronoah was not one tenth the rebel she needed him to be. Inertia had him by the throat, and its consequence was a keen pain squatting ugly at the bottom of his soul, rotting it from the roots up.” pg 9

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Like other readers, I found author Sienne Tristen‘s depiction of Ronoah’s crippling anxiety and panic attacks to be one of the most insightful and sensitive pieces of writing I’ve ever had the privilege to read. Unlike most works of fantasy in which the action takes place in an external world, Ronoah’s greatest battles are in his own mind.

The anxiety speaks with its own voice and becomes a main character throughout the story.

“What were you thinking, it sneered, acting like you’re so important, so worldly, making it out like you’re some big intellectual champion when all you really are is a petulant runaway with a few bits of trivia stuck in your useless head? Talking and talking like you’re an authority on anything- who do you think you are?” pg 53

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Ronoah’s interactions with the other characters from the book take on a secondary importance to the all-encompassing relationship that he has with his inner world. But they are still beautiful connections.

“… He had this way of grabbing life by the horns and refusing to let go, no matter how it tried to shake him off. You know those people you sometimes find, the ones who…” “Who shine.” pg 154

Sienna Tristen’s writing brings to light foibles of anxious people that might otherwise remain shrouded in the sufferer’s inability to vocalize their feelings. Anybody who has ever spent a sleepless night stuck in the agony of fear and indecision will understand exactly what Tristen is spelling out in this story.

On the other hand, I found the first two-thirds of the book to be extremely triggering because of this gigantic magnifying glass that is held up to anxiety. The pacing didn’t do me any favors either. As Ronoah slowly twisted in the unending spirals of panic in his own head, I hung on the hook right along with him.

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It was helpful to see Ronoah’s thinking process which Tristen writes so beautifully. Almost every time, readers can feel the moment he tips from functional person with some worries to frozen anxious mess. In my own life, I’ve started to watch for those tipping points- the moments I go from concerned about the future to paralyzed by anxiety. It has actually been quite illuminating.

But all of that new found self knowledge doesn’t make for a fun read. Fiction is one of my escapes from reality. In this book, I found quite a lot of reality and it wasn’t an escape after all.

“How far do you have to push your boundaries before you can feel them stretch? How high do you have to climb before your horizon expands? Is it possible to notice your own growing, or is improvement like an eyeball- visible to everything but itself?” pg 193

Recommended for readers who don’t mind very slow pacing in exchange for gorgeous writing about anxiety. Mind the triggers.

Thanks for reading!

Medieval Costume and How to Recreate It by Dorothy Hartley

Medieval Costume and How to Recreate It by Dorothy Hartley

“All too late it is beginning to be realized, slowly indeed but no less surely, that the historic evolution of dress and personal ornament offers a wide field for methodical study; that it is in fact a science and can be made to subserve worthier ends than those of mere amusement.” pg 11, ebook

Medieval Costume and How to Recreate It by Dorothy Hartley is more of a history book than practical manual for dressing as a historical figure, unless the reader happens to have a very highly developed tailoring ability.

From the book.

At least, more than I currently have.

That being said, the divisions of different types of historical costumes into profession is inspired. As author Dorothy Hartley explains, at the beginning of the book, professions had a huge affect on how medieval persons looked. Think doctor compared to butcher compared to musician or priest.

“After the careful restrictions of religion and royalty, musicians are refreshingly loose, and may wear anything. Since there is no definite costume for musicians we have concentrated on robes and sleeves that give free play to the arms.” pg 74, ebook

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In addition to the visible clothing, this book delves into the garments worn under historical clothing, which was a topic I hadn’t considered before. But, as Hartley writes, dressing as a historical figure gives the roleplayer the opportunity to both entertain and educate through the details of the costume.

For example, the thickness and type of the fabrics that go into hose have an obvious function as well as a proper place on timeline of historical costumes.

“To the casual enquirer it will no doubt seem a curious anomaly: it is none the less a fact that in the majority of costume-books no portions of man’s apparel are slurred over in so haphazard a fashion as those under the above heading.” (hose and breeches) pg 80

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This book is a learning experience but, as I mentioned, also a practical one if you already know how to construct a shirt or are curious about how to make a cloak hang correctly.

Highly recommended for roleplayers or historians.

Thanks for reading!