Following Your Path by Alexandra Collins Dickerman

Following Your Path by Alexandra Collins Dickerman

Following Your Path is about using tarot cards and meditation in order to communicate with your psyche. I was particularly excited about this book because that’s the method that I use for my own meditations and writings. This book is a treasure trove of mythological symbolism and fairy tales. I enjoyed much of it. But, I felt as if Alexandra guides the reader almost too well.

She breaks down the cards into their various pieces and encourages reflection on each piece of the Tarot artwork in a sort of automatic writing process (write down the first thing that comes to mind when you look at “blank”).

I felt like she was depriving the reader of the richer experience of pathwalking into the cards themselves.

If I were to write a manual, perhaps someday, I would leave the meditations themselves as completely open ended with plenty of blank pages for writing. So, more like: “Here is the card. Walk through it as if it is a doorway. What do you see?”

It may be difficult to believe, but the mind fills the space with “something”. The endless writing prompts for the small details really aren’t needed. But, I could see this book being very useful for true beginners who are unsure of the way or don’t yet trust or know their own inner worlds.

Another small criticism, Alexandra has the reader starting their journey into the major Trumps (the minor cards aren’t even presented) and she starts her study with the Fool rather than the Universe. But, I suppose it doesn’t really matter the order in which you explore the cards. The fact that you’re doing it at all is what is important.

I loved this explanation of the psyche in the introduction by Jean Houston: “The psyche is not unlike an archaeological dig in which different civilizations, stories, and interpretations may be revealed at each level. Unlike the field archaeologist, however, we have living access to the cultures and knowings of the various strata within ourselves and therefore can learn on site how to tap our hidden dimensions for the benefit of our existential lives. It is also possible, with the help of those primordial patterns of meaning and relationship known as archetypes, to build sustaining bridges to, and networks among, these strata, thereby encouraging an ongoing communication and exchange of content- a kind of commerce of the psyche.” introduction, pg vii

There are quotations scattered throughout the text that I found very enlightening, such as: “Myth is the secret opening through which the inexhaustible energies of the cosmos pour into human cultural manifestation. Religions, philosophies, arts, the social forms of primitive and historic man, prime discoveries in science and technology, the very dreams that blister sleep, boil up from the basic, magic ring of myth.” -Joseph Campbell, pg 17 Makes you want to start meditating right now!

This book is extremely positive and affirming. I liked that in addition to the meditation prompts, Alexandra provides further exercises and questions to help heal and creatively examine the mind. She says: “It is only when we learn to evaluate ourselves in terms of our own inner values that we can exist in a positive emotional state, aware of the continual opportunities for growth and for feelings of satisfaction.” pg 138

She also provides hope for those who may be going through the darkness of depression or despair:“Often when we find ourselves in a state of stupor, hopelessness, pain, loneliness, depression, and even madness, we may be on the verge of great vision and inspiration. Our condition of desperation is often only a stopping place on the road to greater self-development. By looking inward, we can find a way past destruction, to salvation and to a new life.” pg 244 So, if you’re going through hell, keep going.

If you enjoyed this book, you may want to look at The Creative Tarot: A Modern Guide to an Inspired Life by Jessa Crispin. If you want numerous examples of tarot card pathwalkings, take a look at my book, The Light Congress: thelightcongress.com

Happy meditating and thanks for reading!

Gardens of the Moon by Steven Erikson

Gardens of the Moon by Steven Erikson

Second read-through August 2021: I have a few thoughts to add on my second read-through of Gardens of the Moon. Unlike my first foray into Malazan, I came out of this reading with a better appreciation of the female characters of the story.

Instead of being focused on what the characters were not, I looked at what the characters were. Powerful leaders, most of them, who imposed their will on the world around them through violence. It is an unexpected role for women, but still feels somewhat one dimensional. I wish some of the characters were more fleshed out, but I have the feeling that this development will happen before the end of the series.

Also, this go-round, I had a better grasp on the complexities of Gardens of the Moon and was prepared to be dropped into the middle of the action. Steven Erikson doesn’t hold the reader’s hand. He pushes her through the door into another world. Some readers hate/love this strategy. I fall mainly on the side of hate, but if it’s a good story, I’ll put up with it.

My favorite part is still the new tarot card deck that Erikson created.

Unlike last time, I’m going to keep pushing forward with this series. On to the next book!

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Review from first read-through June 2016: Gardens of the Moon is an extraordinarily complex fantasy. The over-arching story: the Malazan Empire (a militaristic conglomeration of nations) is invading everywhere and trashing cities as it goes. The Empress of Malazan, her High Fist Dujek (like a top general), Adjunct Lorn (a magic-hating fixer), Whiskeyjack and the Bridgeburners (like the A-team for Malazan, they go in and cause chaos before the main army arrives), Tattersail (a Malazan mage), Ganoes Paran (a soldier), and more are on the side of the Empire.

There’s about a dozen other main characters that I won’t list here for brevity’s sake.

One of the many heroes of this tale is Paran. The story begins with Paran as a child, gazing down from the walls of his city, towards destruction being wreaked by Malazan mages. He dreams of being a warrior and tells this dream to the aged soldier with him.

Their conversation: “Every decision you make can change the world. The best life is the one the gods don’t notice. You want to live free, boy, live quietly.” “I want to be a soldier. A hero.” “You’ll grow out of it.” pg 5

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And so the story begins. Paran gets his desire, of course, but so much more than he bargained for… kind of like the reader who picks up this book.

At first, I thought that the story was going to go like The Game of Thrones. We were going to have a bunch of different characters all fighting for the same thing. I was so wrong. The only similarities between the two tales are that 1. they’re fantasies, 2. they have a bunch of characters, and 3. there is a power struggle, but otherwise, they’re very different.

Gardens of the Moon contains direct interventions between gods and humanity as well as magical creatures from the past and other realms of existence.

As for the magic system, the magically-inclined in this story take their power from different dimensions called “warrens“. There are half a dozen different ones, with further warrens hinted at as the story progresses.

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Taken as a whole- it is a many layered cake of fantasy awesomeness. I was overwhelmed by it all at times.

Perhaps because of the sheer scope of the story, the characterizations suffered. The author could only build so much detail into each person.

For example, Erikson tried to make Paran more than just a simple hero, but it didn’t always work: “When he thought of himself, of that young noble-born man with the overblown faith in honesty and integrity, the vision that came to him now was of something cold, hard, and dark. It hid in the deepest shadows of his mind, and it watched. No contemplation, no judgment, just icy, clinical observation.” pg 110

I was unimpressed with the role of the females in this story. With as many characters that we had, I thought we’d have at least one or two amazing, strong, female heroes. I know that fantasies are not known for their gender equality but in a world with magic, gods, and other surprising things, I would count a strong female character as one of the greatest miracles of all.

Erikson’s world building was so complete that he even created a new set of Tarot cards, just for his world. It’s one of my favorite parts of the story.

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Here’s a passage that I really liked: “Those whom the gods choose, ’tis said, they first separate from other mortals- by treachery, by stripping from you your spirit’s lifeblood. The gods will take all your loved ones, one by one, to their death. And, as you harden, as you become what they seek, the gods smile and nod. Each company you shun brings you closer to them. ‘Tis the shaping of a tool, son, the prod and pull, and the final succour they offer you is to end your loneliness- the very isolation they helped you create.” Never get noticed, boy. pg 510 Bleak, but beautiful.

Or this part, the explanation of the story’s title, which is so brief, if you blink, you’ll miss it: (On the moon) The Lord of the Deep waters living there is named Grallin. He tends vast, beautiful underwater gardens. Grallin will come down to us, one day, to our world. And he’ll gather his chosen and take them to his world. And we’ll live in those gardens, warmed by the deep fires, and our children will swim like dolphins, and we’ll be happy since there won’t be anymore wars, and no empires, and no swords and shields.” pg 531-532

That’s the dream of all of the characters in this story- to live in peace. But, because of the Malazan Empire, they can’t.

Recommended for true fans of fantasy. There’s so much to sink your teeth into that, unless you really love the genre, you’ll probably just put it aside for simpler fare.

Thanks for reading!

Sleeping Giants by Sylvain Neuvel

Sleeping Giants by Sylvain Neuvel

In Sleeping Giants, a large, metal object shaped like a gigantic hand is found in South Dakota. It glows with its own light and scientists have no idea what it is made of or what it can do. And so, the mystery and adventure begins.

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I enjoyed the story a lot but not how it was written. Neuvel tells Sleeping Giants through a series of “case files” or question and answer sessions between the main characters and a mysterious, all-powerful figure who is manipulating the scenario from behind the scenes.

This method of storytelling seemed especially ridiculous during some of the action scenes, when Neuvel had the characters talking to each other on the phone, describing what was happening to them as it occurred.

But, otherwise, the Q & A setup gave readers a behind-the-scenes look at what was going on in the character’s minds and allowed for a lot of personality development.

I wish that Neuvel had switched back and forth between traditional storytelling and the “case file” thing, so that he could both tell the story and have the in-depth character portions. Maybe he could do something like that in the next book.

I was nervous that Sleeping Giants was going to be more science fiction than fantasy, but it wasn’t. There are only a few mind-boggling moments when the scientists are trying to figure out mathematics with a base of 8 rather than a base of 10.

Mostly, The Sleeping Giants asks the questions: what would happen to humanity if something very strange and not of our civilization was discovered on earth? What would that mean for world politics? And how, on an individual level, would everyone involved handle it?

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Kara Resnik, a pilot, was my favorite character in this story. She’s impulsive, passionate, and honest.

In this passage, she’s talking about the possibility of leaving the project before it’s completed: What would I do anyway? Go about my business as if nothing ever happened? I couldn’t even talk about it to anyone. This is gonna sound incredibly selfish, but I’d get bored to death unless someone started World War III or something.” pg 54

The moral dilemma for the scientists involved in the project is interesting.

In this passage, lead scientist Rose Franklin talks about the fact that the technology discovered could be used for good or ill, depending on who controls it and how that makes her complicit in their actions, because she’s the one figuring out how it works: “What I’ve been trying so hard to deny is that I’m loving every minute of it. … I’m a scientist, and this is what I breathe for. If I had learn to live with that, I might be able to sleep again.” pg 167

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If you enjoyed Sleeping Giants, you may want to pick up The Many Selves of Katherine North by Emma Geen (in which, advanced technology raises moral questions) or The Interminables by Paige Orwen (in a dystopian world, humanity tries to save itself from inter-dimensional creatures, but maybe some solutions aren’t worth the cost).

Big thanks to the Goodreads First Reads Program for a free copy of this book. And, thank you for reading!

LoTR, the Library, and Me — O’Fallon Public Library Blog

I’ve always liked to read. From a very early age, I picked up books from the library, read them cover to cover, and went back for more! I always filled up my reading log during the Summer Reading Program at the library and proudly earned stars on my large Book-It pin. Picture: The Riddle Game […]

via LoTR, the Library, and Me — O’Fallon Public Library Blog

The Way of the Shaman by Michael Harner

The Way of the Shaman by Michael Harner

The Way of the Shaman says the practice of shamanism isn’t a cultural thing- it’s a “human” thing.

Michael Harner gives a brief biography of his own beginner experiences, then a very short history of shamanism, what it is, and how the experiences during the shamanic vision walks compare to ordinary reality.

He goes on to give a few practices for beginners to experience those states of consciousness for themselves as well as methods for contacting your “power animal” and some basic healing techniques.

I valued this book most for its discussions of shamanistic consciousness rather than the practices, but I could see both being of value for the proper audience.

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On shamanism across cultural boundaries: Shamanism represents the most widespread and ancient methodological system of mind-body healing known to humanity. Archaeological and ethnological evidence suggests that shamanic methods are at least twenty or thirty thousand years old… One of the remarkable things about shamanic assumptions and methods is that they are very similar in widely separated and remote parts of the planet, including such regions as aboriginal Australia, native North and South American, Siberia and central Asia, eastern and northernmost Europe, and southern Africa.”pg 40-41

One of Harner’s reasons for writing this book is to encourage everyone to deeper self knowledge: “…truly significant shamanic knowledge is experienced, and cannot be obtained from me or any other shaman. Shamanism is, after all, basically a strategy for personal learning and acting on that learning.” pg xxiv of introduction.

The world could use more self knowledge.

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How Harner has experienced the ineffable nature of shamanic consciousness: “His experiences are like dreams, but waking ones that feel real and in which he can control his actions and direct his adventures. While in the shaman state of consciousness, he is often amazed by the reality of that which is presented.” pgs 21-22

I find it interesting how various religious practices and occult teachings mix, blend, and borrow from each other. Or perhaps, at their base, they’re all just the same thing- various ways of experiencing the non-ordinary consciousness from which all humanity springs.

I read a book by practicing shaman, James Endredy, called The Flying Witches of Veracruz back in December of 2014 and it seemed to be a total pipe dream. It was filled with amazing creatures and impossible actions, like flying, shape shifting, and jumping higher than humanly possible.

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James talked about the magical in the same breath that he talked about what he ate for breakfast.

Harner explains in this book why it reads like that: “The emphasis I make here on drawing a distinction between the experiences one has in (ordinary consciousness) and the (shaman consciousness)…is not a distinction that is usually noted in the conversations of shamans among themselves or even with Westerners. Thus, if you were to listen to a Jivaro shaman talk, you might hear in his everyday conversation accounts of experiences and deeds which could seem to you, as a Westerner, to be patently absurd or impossible…” pg 47-48.

That whole book makes so much more sense to me now.

In the afterword, Harner closes with thoughts about why shamanism works: “Albert Schweitzer reportedly once observed, “The witch doctor succeeds for the same reason all of the rest of us (doctors) succeed. Each patient carries his own doctor inside him. They come to us not knowing this truth. We are at our best when we give the doctor who resides within each patient a chance to go to work.”

Be a healer by reminding people that they have the power to heal themselves.

If you’re looking for more books like The Way of the Shaman, try The Flying Witches of Veracruz: A Shaman’s True Story of Indigenous Witchcraft, Devil’s Weed, and Trance Healing in Aztec Brujeria by James Endredy or Active Dreaming: Journeying Beyond Self-Limitation to a Life of Wild Freedom by Robert Moss.

Thanks for reading!

As You Wish: Inconceivable Tales from the Making of The Princess Bride by Cary Elwes

As You Wish: Inconceivable Tales from the Making of The Princess Bride by Cary Elwes

Before I start my review, I want to mention that As You Wish is the perfect audiobook for a road trip between St. Louis, Missouri and Kansas City, Kansas. I was traveling with my daughter and husband, and we were all entertained by Elwes’ memories of the making of the film.

It’s really not that easy to find a book that works for all three of us, but this was an absolute hit. I can’t recommend it enough and if you’re already a fan of the movie, I’m sure that you’ll love it even more.

Though it starts out a bit self-congratulatory in tone, throwing around words like “timeless”, “modern classic”, and “once-in-a-lifetime experience”, As You Wish is ultimately, like The Princess Bride, a very sweet and and enjoyable memoir about the events behind the making of the film.

At first, as I said, I was afraid that I was going to be bored to tears. Rob Reiner wrote and narrated the foreward and it is sugary sweet in its praise of the author, the movie, and everything to do with either. This high praise, some may argue, is well deserved, but I thought that it might have fit better in the flow of the tale as an afterword. First, the play then the applause, but, that’s just my opinion.

Some of the best parts of the memoir, not surprisingly, centered around Elwes’ interactions with his colorful co-stars. Andre the Giant figures largely into this tale, as he did in life, not only because of the enormous size of his body but also his heart.

The brightest among us always seem to burn too quickly.

Another of my favorite parts is the description of Elwes’ and Patinkin’s struggle to film the “greatest sword fight in modern times.” I had no idea of the amount of backbreaking work that went into the acquisition of the skills to run the scene. From day one of filming, Elwes and Patinkin were schooled by some of the best sword fighters in the movie business. Now that I know, I’m going to have to re-watch the film. I had always assumed that the fight was done by stuntmen. How wrong I was…

If you enjoy the film, The Princess Bride, you must listen to this audiobook. It is a real treat and you’ll appreciate some hidden gems revealed by Elwes’ narration. To borrow some descriptors from the book, it was a magical, “once-in-a-lifetime” moment when talent and story mixed together to create a “timeless, modern classic”. If you’re looking for some film related read-alikes (for movies other than the Princess Bride), try Nerd Do Well by Simon Pegg or A Funny Thing Happened on the Way to the Future…: Twists and Turns and Lessons Learned by Michael J. Fox.

Thanks for reading! -Heidi

Jackaby and Beastly Bones by William Ritter — O’Fallon Public Library Blog

Both Jackaby and Beastly Bones were chosen by the Young Adult Library Association as top young adult picks of 2015 & 2016. It’s easy to see why- both books are fun, fast paced, and perfect for reluctant readers. Jackaby is an extraordinary detective. He can sense supernatural clues, like a urban fantasy version of Sherlock. […]

via Jackaby and Beastly Bones by William Ritter — O’Fallon Public Library Blog

Conjured by Sarah Beth Durst

Conjured by Sarah Beth Durst

Eve can’t remember who she is or where she’s from, but there are government agents with her, protecting her. They say that her mind holds the key to solving the case(s) of a serial killer, but she can’t even remember her own parents. How is she going to help save others when she can’t even recall what happened last week? And, why is she able to make birds fly out of wallpaper? That’s not normal… is it?

Conjured is a fluffy, young adult fantasy that tip-toes around the horror genre but, mainly, remains safely in the real world of amnesia and teenage angst. This book suffers from a glacial pacing but the mystery part of the story really took me by surprise. As I mentioned, the horror elements in this story are minimal but there are some brief and not terribly graphic descriptions of blood, mental anguish, bondage, imprisonment, physical violence, and creepy circus folk.

My favorite parts of this book happened during Eve’s blackout moments or visions. They read like scary fairy tales: “It always begins with ‘once upon a time,’ my dear. That is how it is, even if ‘once upon a time’ is now.” Gnarled hands separate the strands of my hair and wind them around knuckles. “A witch…for of course there was a witch. There always is, isn’t there? She had stars in her eyes and dust in her hair. She heard the sounds of the forest when she moved and the ocean when she spoke.” pg 14 ebook. The visions set the tone of this story. They’re like nightmares for Eve- profoundly disturbing, but not real. Or are they?

I loved that Eve took a job as a library assistant. The craziest things happen at the library but it was also a place of safety for her when she couldn’t remember anything else: “Libraries… they’re the places with stories,” Eve said. Closing her eyes, she tried to summon up a memory of a library. Shelves of books. Sunlight falling across a table. She saw spiral stairs. It could have been a real place, or Malcolm could have shown her a picture at some point. It felt like a real place.”pg 17, ebook

The extraordinarily slow unfolding of Eve’s background was frustrating:“You can’t do any magic here. There is no magic in this world- that’s why this place is safe for you.” She held her face still. Another hint about her past. He had told her so much in those few sentences, more than he’d ever told her before. There is no magic in this world, she thought. I’m from another world? pg 21, ebook. I don’t know… you tell me!

The teenage love story in Conjured is cute and very John Green-esque:“Because when I’m with you, I feel whole,” he said. “Because with you, life doesn’t feel brutish and short. It feels beautiful… and short.” pg 176 ebook.

So, if you can tolerate an extremely slow reveal, pick up Conjured. Some read-alikes: The Night Circus by Erin Morgenstern (circus themes, slow story) or Archivist Wasp by Nicole Kornher-Stace (a girl is asked by a ghost to help him find someone he’s lost).

Thanks for reading!