The Science of Storytelling by Will Storr

The Science of Storytelling by Will Storr

In The Science of Storytelling, Will Storr reminds readers our brains are hard-wired for stories and how best to utilize this in our own writing endeavors.

Through the use of various writing tools based on scientific research, Storr demonstrates how to appeal to an audience, keep them hooked and connected to the characters.

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For example, Storr writes the use of change in storytelling grabs readers’ attention because human beings are always on the look out for it. Change can be good or bad- it’s life itself. Our brains look for change as a survival mechanism and this trait can be used to entice readers so they come back for more story.

“This is what storytellers do. They create moments of unexpected change that seize the attention of their protagonists and, by extension, their readers and viewers.” pg 13, ebook

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Change is also something that people try to control (they can’t but they try). This universal pattern is called, ‘the theory of control’. When readers see traits they share with characters in stories, they become invested in the outcome which keeps them reading. Or when readers see traits they don’t believe they have, but do, they’re hooked.

There’s a lot of hooking going on, which is a good thing when you’re writing a story. 🙂

“A character in fiction, like a character in life, inhabits their own unique hallucinated world in which everything they see and touch comes with its own unique personal meaning.” pg 41, ebook

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Storr suggests creating complex characters and writes that the story almost creates itself with a properly drawn character. A complex character has flaws, a personality, misunderstandings with others in the story.

Also, going back to the ‘change’ theme, complex characters are generally passing through a ‘change of status’ of some kind. This ignites curiosity in the reader. It makes readers ask themselves, ‘What’s going to happen next?!’

“The place of maximum curiosity- the zone in which storytellers play- is when people think they have some idea but aren’t quite sure.” pg 18, ebook

Highly recommended for writers or anyone interested in how the brain works. If you’re looking for more writing advice, I recommend Murder Your Darlings: And Other Gentle Writing Advice from Aristotle to Zinsser or Nobody Wants to Read Your Sh*t: Why That Is And What You Can Do About It.

Thanks for reading!

Zen in the Art of Writing by Ray Bradbury

Zen in the Art of Writing by Ray Bradbury

Ray Bradbury, a titanic author of American science fiction, shares remembrances and anecdotes from his lifetime. Within the essays, Bradbury shares both his passion for writing and the methods with which he accomplished it.

“And what, you ask, does writing teach us? First and foremost, it reminds us that we are alive and that it is a gift and a privilege, not a right. … Secondly, writing is survival.” pg 12, ebook

From his childhood days in Waukegan, Illinois, to penning screen plays in Ireland, Bradbury mined his life experiences with his subconscious mind and unearthed, so to speak, the stories that he wrote.

Ray Bradbury

“And when a man talks from his heart, in his moment of truth, he speaks poetry.” pg 32, ebook

Bradbury also highlights the importance of writing at least a little bit every day. Through his habit of writing an essay a week, Bradbury cranked out hundreds during his lifetime. Though he admits not all of them were brilliant, each one brought something to his experience, whether that was honing his craft or creating avenues towards other brighter stories.

Recommended for aspiring authors or any reader who is a fan of Bradbury. This book shines a spotlight on both the man and his creations.

Thanks for reading!

Nobody Wants to Read Your Sh*t: Why That Is And What You Can Do About It by Steven Pressfield

Nobody Wants to Read Your Sh*t: Why That Is And What You Can Do About It by Steven Pressfield

Steven Pressfield shares the applicable lessons he’s learned from a lifetime of different writing jobs. The most important one is the title of this non-fiction, self help book.

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“Sometimes young writers acquire the idea from their years in school that the world is waiting to read what they’ve written. They get this idea because their teachers had to read their essays or term papers or dissertations. In the real world, no one is waiting to read what you’ve written. pg 16, ebook

Along the way, Pressfield discovered the importance of writing for yourself rather than as a ghost writer, the necessity of structuring each piece whether it is a screen play or a novel, the enduring popularity of the hero’s journey and more.

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He also addresses the inner demons that may prevent fledging writers from finishing what they begin, a topic that Pressfield also discusses at length in his other book, The War of Art: Break Through the Blocks & Win Your Inner Creative Battles

“I did not know that there existed inside my head an invisible, insidious, intractable, indefatigable force whose sole object was to keep me from doing my work, i.e., finishing the book I had been trying to write for seven years- and ultimately to destroy me, physically, psychologically, and spiritually. All I knew was that I couldn’t finish anything.” pg 49

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I found all of his advice helpful, and the manner in which Pressfield delivers it as both approachable and entertaining.

“The writer must know what genre he is working in and the conventions of that genre, just as the bridge builder must understand the science of foundational integrity and the means of mitigating stress on strung steel.” pg 66, ebook

He closes the book with a humorous anecdote about writing for a pornographic film. Even in that tale, Pressfield managed to teach me something about story construction and storytelling. I only mention it in case any potential reader finds such things offensive. Here’s your warning.

Highly recommended for writers at any level. Pressfield knows his stuff.

Murder Your Darlings: And Other Gentle Writing Advice from Aristotle to Zinsser by Roy Peter Clark

Murder Your Darlings: And Other Gentle Writing Advice from Aristotle to Zinsser by Roy Peter Clark

Murder Your Darlings is not just another book about writing. It shares the wisdom and creative insights of fifty or so authors, some famous, some not, and some who wrote their own books about the craft.

In his own unique manner, Roy Peter Clark distills the main lessons from each writer and presents them in curated chapters. The chapters are organized into six parts: language and craft, voice and style, confidence and identity, storytelling and character, rhetoric and audience, mission and purpose.

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Aspiring or struggling writers can go directly to the issue she may be facing at the moment or read the whole thing to find tips and techniques that fit her emerging efforts best.

Though this may be most useful to writers who have a particular problem in mind, I believe any writer who wants to elevate their work could find something illuminating in these pages.

At the very least, Clark saves writers days of research time into locating appropriate writing resources. If you like the brief outline he gives of a writing guide, you could go invest the time to read the whole thing.

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Highly recommended for everyone who strings words together or dreams about doing so.

Thank you to NetGalley and the publisher for a free digital copy of this book.