“It was so surprisingly calm that it took a few minutes before anyone in the room even noticed the way that Chris Carmichael was twitching at his desk.”

The first hint that something has gone wrong in Lucy Henderson’s town is a horrific event in her high school classroom. The violent-nature of the event triggers trauma from Lucy’s past, an emotional wound that goes so deeply into her psyche that she hasn’t begun to process it- let alone the damage it has left behind.

It doesn’t help that Lucy feels like an outcast and an outsider in her small hometown. Part of this is baggage from Lucy’s past, but the majority of it is the racism and tribalism she faces from the small-minded young adults in the community. They won’t let her forget she looks different from them and torment her with their racial hatred on a near-daily basis.

The only semblance of friendship in her life is with a young man who goes by the name of “Bucket,” for reasons that are explained in the story. (No spoilers.)

When all hell breaks loose in town, Lucy and Bucket only have each other and a few acquaintances to help in a race to save their families. The nightmare that they had been living solely in their minds becomes all too real.

“What the hell is going on in this town? Sometimes it feels like things are f*cked up in every direction, you know?”

The character and world-building of The Loop is well done in that I connected deeply with Lucy and Bucket before the story took off.

My lack of enjoyment of the book stems from the graphic nature of the violence against people and animals, both physical and mental. There are also brief instances of sexual abuse between underage teens as well as the discussions of porn with descriptions vague enough that young adults reading this book will immediately turn to Google to answer any questions they may have. There is bullying, unaddressed by the adults in the young peoples’ lives, as well as the trauma Lucy suffered at the hands of a system that should have protected her.

Which brings me to another discussion point, this is not a book for young adults. If it was television, it would carry a mature rating. The horror genre has a huge following and graphic violence is definitely a part of that. That being said, it is strange to me how cavalierly some treat depictions of absolutely horrific things.

I feel like society has become desensitized to violence in the media we mindlessly consume. Descriptions of fingers popping through eyeballs and knives cutting through flesh is delivered as a matter-of-course, part of what makes the story so scary.

I picked this title out of the myriad being published in the next months because it was compared to Stranger Things, a horror show, true, but one that leans on the psychological and paranormal scares far more than the physically violent ones. I watched that show with my young daughter. I would not let her read this book, at least until she’s 18.

I say that as a former librarian but also a mother.

All that being said, there are beautiful lines in the book that perfectly capture the agony of mental pain.

For example: “She imagined herself tilting her head back and opening her mouth to scream again, only this time her mouth kept opening and her jaw detached like a snake’s and she kept splitting until she was cleaved in two and all that came out of her was white flame.”

But I didn’t feel that the beauty of those fleeting moments made the time I spent reading the title worth it.

Recommended only for adult horror readers who can handle the triggers of violence and everything else described above.

Thank you to NetGalley and the publisher for a free digital advance readers copy of this book. The brief quotations I cited may be changed or omitted in the final, printed version.

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