Tag: ted naifeh

Kind (The Good Neighbors, #3) by Holly Black

Kind (The Good Neighbors, #3) by Holly Black

kindRue’s grandfather put his nefarious plan to merge the faerie world with the normal one in motion at the end of the last book. Now, everyone in Rue’s town is going bonkers. Faeries are roaming the streets, eating and manipulating humans. The more organized groups of people are fighting back. It’s a mess.

“What do you do after the end of the world?”

Meanwhile, Rue has a love triangle going. Her boyfriend Dale has taken up with some bloodthirsty bog faeries and she needs to save him. But, she can’t seem to forget Tam, a young man who has a special talent for speaking the truth and was stolen away from the real world by faeries.

What’s a girl to do?

“When people tell you to forget things, they really just mean that you should pretend to forget. No one actually forgets.” “You are as heartless as any faerie girl, Rue, yet I want you to look at me and to see me. To see me like I see you.” pg 25

And who is going to save the town?

“There is a reason why mystics are mad, Rue. We- people, humans- cannot sustain exposure to the supernatural. That’s why we’re not meant to live like this. Already, people’s minds can’t handle it.” pg 55

The artwork in this series reminded me of The Walking Deadgraphic novel franchise. Sometimes, it’s good, but then in other panels, you can’t tell one character from another.

There are some truly beautiful and grotesque faeries. I think the artist, Ted Naifeh, was at his best with the supernatural creatures.

The ending to this series was a little too predictable for my taste. But, it is good enough for what it sets out to do- entertain young adults with a slightly darker fairy tale.

Thanks for reading!

Kith (The Good Neighbors, #2) by Holly Black

Kith (The Good Neighbors, #2) by Holly Black
kith

Rue’s world is getting darker. In the last volume of The Good Neighbors, she discovered that faeries are real and not harmless, glitter-sparkled fantasies like fairy tales have described them.

In this installment, Rue learns about the perils of faerie enchantments and intricate faerie plans. Mixing magic with the every day world, human and faerie, is downright dangerous.

Rue also discovers more about her mother’s (Nia’s) family and not everything she learns is comforting.

“You can’t keep mom here against her will.” “Oh, can’t I?” “Give me a test then. A test like you gave my dad. I’ll win her from you.” “Don’t be silly. Nia, do you want to leave my hill? Does the moral world hold anymore allure for you?” pg 49. Yeah, does it?

Rue’s parents didn’t have a traditional first date. It’s awfully sad just how their two worlds came together.

Rue spends much of this volume trying to walk the line between the faerie and human worlds and feeling guilty about loving and belonging to both.

“Let me propose a toast. To love. In what we love best, our worst selves are revealed.” pg 52.

Love and jealousy play a large part in this story as does control and betrayal.

Sometimes, we ruin the relationships that mean the most to us because we’re careless or confused or bored. Other times, we may not be completely honest with ourselves about whether two people, or in this case human and faerie, even belonged together in the first place.

Rue stumbles her way through these questions in a teenage, angsty sort of way. She’s a flawed heroine, but I rather like her.

I’m looking forward to the last entry in the series.

See my review of the first book in the series: HERE.

Thanks for reading!