The Witch’s Heart by Genevieve Gornichec

The Witch’s Heart by Genevieve Gornichec

“The third time she was reborn, Gullveig fled, though she left something behind: her speared heart, still smoking on the pyre.” pg 4

Angrboda, the Norse witch formerly known as ‘Gullveig’, is hiding from the Aesir when the trickster god Loki finds her. And changes her life (or in her case: lives) forever.

“Although her memories as Gullveig were vague enough, she recalled feeling like she didn’t belong – and the moment they’d turned on her, burned her, she’d felt a lot of things. But the emotion she could recall most distinctly was not fear or anger, but the feeling of being used.” pg 43

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The gods kill Angrboda because of her refusal to share the secret of her scrying power, called ‘seid’. She will not look into the future and give Odin the mysteries that reside at the end of all things.

Odin does not take no for an answer.

Genevieve Gornichec reimagines the shadowy character of Angrboda in this Norse myth-filled retelling. Maybe it’s because I’m a classics major and gravitate towards mythology, but it seems to me that it has become somewhat popular to do so – think The Song of Achilles or Circe.

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In this case, I feel like Gornichec didn’t go far enough in her imagining. She gave Angrboda a voice, a rare talent, and a fierce love for her children, but, beyond that, the witch remains a fairly passive character.

Part of this could be due to the fact that the Aesir are such powerhouses in the old myths. They hog the spotlight and the action. But still, I believe there’s enough room around the stories to give a figure whose mythology has been largely forgotten a new legacy.

I think the biggest missed opportunity for this is in Angrboda’s relationship with Loki.

“She would do anything for him, she realized then… And for some reason, this scared her, as if the thought itself were a promise she knew that she couldn’t hope to keep.” pg 74

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Like the other major players in the mythology, readers will be familiar with many of Loki’s hijinks. He is constantly in action, tricking people or becoming the victim of his own cleverness. What readers have never really gotten to see is his interior world. What is he thinking when he pulls his legendary stunts? What are his secret motivations?

One would think this is something he might share with a lover. But the storytelling never quite got there and I found The Witch’s Heart to be rather a disappointment in that way.

That being said, if you’re a reader who enjoys mythological retellings, there is still much to enjoy in this story. It is well-written if fairly limited in scope.

Thanks for reading!

Norse Goddess Magic: Trancework, Mythology, and Ritual by Alice Karlsdóttir

Norse Goddess Magic: Trancework, Mythology, and Ritual by Alice Karlsdóttir

This is a new age, non-fiction book about trance work, which can loosely be described as deep meditation. I practice a type of meditation called “pathwalking” which is basically just another word for the same kind of practice. This book is about someone who focuses on the Norse religion exclusively.

I read Norse Goddess Magic not for the details about the Norse pantheon (which admittedly I know very little about, so it was very interesting and educational) but mainly for the author’s experience in trance work. To my disappointment, she spends pages and pages explaining what going into trance is, how she does it, and then only a few paragraphs in each chapter detailing an actual trance.

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I wanted the book to be mainly trance work. That is what made it unique and original- her personal sojourns into “another world” and what she brought back. The rehashing of all of the old mythologies were, as I said, interesting, but if I wanted to read them, I could have picked up any book about Norse mythology.

I also felt like Alice spent a lot of time explaining why trance work is a valid method of information gathering and defending her opinion on why she believes that. I agreed with her completely so I just read through the pages thinking- preaching to choir, get to the trances! So, that was a frustration.

A part of the book that I disagreed with was Alice’s assertion that it is “difficult” to go into trance. In my experience, if you believe something is difficult to do be that hypnosis, meditation, whatever- you’re putting stumbling blocks on your path that don’t need to be there. Going into trance is as simple as watching your breath flow in and out. If you breathe, you can go into trance. I felt like she did a disservice to beginners with that particular teaching.

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I felt like Alice’s trances were so closely focused on one goddess or aspect of the goddess, that she didn’t really get all that she could out of her trance work or interactions in the other worlds. She read all of this information to prime her subconscious mind and then… it felt like not much happened.

To be fair, she did see the person she was looking for, describe their physical characteristics, express the emotion that they evoked in her, and then, maybe, have a brief interlude with them. In my personal trance work, there’s more interaction in the world itself but that could be the difference of our focus.

Alice said from the start that she wanted to know more about these different goddesses and form a working relationship with them whereas I’m just curious to see what’s out there. I’ve run into Roman gods and goddesses, Native American figures, Tibetian locations, some Egyptian and Hindu gods… but again, I’m not focused on one or another of the world religions. With an open mind, it’s incredible the types of things that you see.

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So, I don’t believe in priming your mind with symbols before you do your work. Pick where you’re going or who you want to see, and just go. Personally, I use the symbols on the Tree of Life or tarot cards. Believe that you can do it. Figure out what works for you. And do it.

Then write it down so that I can read it. 🙂 Because I will.

Thanks for reading!