“A clearly defined medieval book has a unique personality, and part of what we have been doing in our visits to collections has been to engage with manuscripts as individuals and to discover what they can tell us, which can be learned from nowhere else.” pg 569
Meetings with Remarkable Manuscripts is more than a scholarly look at medieval manuscripts. It is a book for anyone who appreciates the intersection of art, history, politics, religion, and the rediscovery of forgotten things.

Readers learn about the tremendous amount of materials and effort that went into creating the manuscripts as well as why they were created, and for whom. These details are incredibly revealing.
“The 1,030 leaves of the Codex Amiatinus would have utilized skins of 515 calves or young cattle.” pg 82
Christopher de Hamel attempts to trace the history of the books from their creation to the present. He visits libraries and museums across the world, relating stories of gorgeous buildings and caretakers both cautious and casual.
“The Book of Kells is so precious and so immediately recognizable that Bernard explained that it would be inappropriate to allow it into the reading-room.” pg 102

De Hamel has chosen twelve books from different centuries. As the reader progresses through time, the development of binding techniques, art, layout styles and more unfolds before her eyes. It is like viewing a series of snapshots about humanity, revealed through manuscripts.
A majority of the books are about religion, others war, and still others are concerned with the movement of the stars through the sky. Curiously, at least to this modern reader, the books weren’t necessarily created for the purpose of reading.
“Gospel was a work of art. It was a sacred object and a tangible symbol of divinity, enclosed in a cumdach, for sanctifying a church, for carrying in processions, for swearing oaths, and for veneration. … Mere reading was secondary.” pg 128

My favorite part of Meetings with Remarkable Manuscripts is the photo of the cover of each manuscript at the beginning of each chapter and the pictures of the pages scattered throughout the text.
“Those who meet famous people often remark afterwards how unexpectedly small the celebrated personage was in reality.” pg 17
This is a book that celebrates bibliophilia. The author lovingly describes what it feels like to handle the manuscripts, critiquing the art and admiring the meticulous calligraphy. He makes you feel like you were there too.

One small criticism, this is a dense read and though de Hamel does his utmost to make the topic accessible, occasionally it ventures into the niche, though fascinating, world of medieval manuscript scholarship. But he never veers too far from the path.
Highly recommended for book lovers everywhere. If you liked this book, you might also want to try Book of Beasts: The Bestiary in the Medieval World.
And thanks for reading!
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