The Book of Ballads by Charles Vess, Introduction by Terri Windling

The Book of Ballads by Charles Vess, Introduction by Terri Windling
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In this graphic novel, Charles Vess illustrates many traditional folk ballads that have been rewritten by some fairly popular fantasy artists like Neil Gaiman or Emma Bull.

I didn’t realize how many traditional ballads have negative interactions with strangers as their primary topic.

According to these stories, any stranger is either a fairy or the devil. If it is a male, he’ll either kill you or impregnate you and then come later to take your kid back to whatever magical land he came from.

If it is a female, she’ll either imprison you, change you into a snake, rape you, or take you away to fairyland.

An alternate title for this book could be: Strangers are Bad- Don’t Talk to Strangers or Let Them In Your House or Have Sex with Them Unless You Want to Die.

But all joking aside, there are very few ballads that end either happily or well. It is unsettling reading them altogether, like delving into a book of short horror stories.

From the introduction by Terri Windling: “Ballads, which are stories in narrative verse, are related to folktales, romances, and sagas, with which they sometimes share themes, plots, and characters (such as Robin Hood). No one knows how old the oldest are. It’s believed that they are ancient indeed…” pg 10

Which disturbs me even more when I consider that these stories were written for a reason. Can you imagine raising a kid in the dawn of time? ‘Don’t go talk to that stranger over there ’cause he might eat you. We don’t know about that exact dude, but seriously… it has happened. Remember how you used to have a sister?’

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Take the ballad of Tam-Lin for instance: “O I forbid you, maidens a’, That wear gowd on your hair, To come or gae by Carterhaugh, For young Tam-Lin is there. There’s nane that gaes by Carterhaugh But they leave him a wad, Either their rings, or green mantles, Or else their maidenhead.” pg 92

In other words, don’t go over there or he’ll take your stuff or rape you.

Despite the depressing nature of the stories, the artwork is very pretty and it’s all in black and white which makes the stories even starker. My favorite of the bunch is The Great Selchie of Sule Skerry which was re-written by Jane Yolen.

In it, a young maiden falls in love with a man from the sea. Guess how it ends?

Some read alike graphic novels: A Flight of Angels by Rebecca Guay, The Last Dragon by Jane Yolen, or The Sleeper and the Spindle by Neil Gaiman.

Thanks for reading!

Watchmen by Alan Moore

Watchmen by Alan Moore
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I can’t stop thinking about this graphic novel. It’s not something I’d usually like- ultra-violent with a very dark vision of humanity- but there is something incredibly compelling about it.

It starts with a murder. Watchmen is the story of a group of super heroes who don’t fight crime anymore because vigilantism was outlawed. Among the many costumed regular heroes (The Comedian, Rorschach, Nite Owl), there is an actual superhero, Dr. Manhattan, who suffered a freak radiation accident and was changed, permanently. He perceives time as happening all at once and can manipulate matter in multiple dimensions. Each of the heroes has a story, some are very sad, and all of them are upset as one of their own has just been killed. Can they figure out who the murderer is before he/she strikes again?

My favorite character out of the bunch is Dr. Manhattan. “We gaze continually at the world and it grows dull in our perceptions. Yet seen from another’s vantage point, as if new, it may still take the breath away.” pg 27, Chapter XI. He’s nearly godlike in his capabilities but that makes it practically impossible for anyone to understand him.

My husband’s favorite is Rorschach, which I could understand, but he was far too violent for me to truly appreciate the character. I feel like there’s an underlying importance to that character though, something that I couldn’t quite grasp…I tried thinking about Rorschach as a rorschach blot for the Watchmen and it nearly broke my brain.

And the comic within the comic? Fascinating.

The Watchmen is more than a superhero story: it’s an examination of power both physical and in the heart. It’s a criticism of government, the media, and art used to manipulate others. It looks at gender roles, rape, and sexual preferences and predilections. It asks: why would a person dress up and create an alter ego in the first place? And, beyond all that, it is a mystery and a love story. There’s a lot to enjoy in here if you can get past the blood, gore, and soul crushing darkness. Recommended for an adult audience only.

A similar comic, in my mind, is The Walking Dead, Compendium 1 by Robert Kirkman. But, really, Watchmen is in a class all of its own.

Thank you for reading!