Ladycastle by Delilah S. Dawson

Aeve, a princess of Mancastle, is locked in a tower by her father, King Mancastle, for her refusal to chose a husband. Aeve’s younger sister, Gwyneff, is free to roam the castle, until she turns twelve and is subjected to the same fate as Aeve.

But Gwyneff doesn’t understand her sister’s choice and blames her for their father’s time-consuming efforts to find a new husband for Aeve and his absence.

“Aeve ruins everything. If she’d married, father wouldn’t go out hunting new princes. He’d be here. All the men would.”

When King Mancastle and his men venture out to find a more suitable groom, and meet a foe they cannot overcome. One of the men returns to report to the women left behind — a curse has been laid on the castle and monsters will “be drawn as to a beacon”.

“For not only was King Mancastle cursed, but so was his domain. This castle shall be a beacon to terrifying monsters until the wizard’s curse is lifted.”

The blacksmith’s wife, Merinor, takes up the Lady of the Lake’s sword and becomes king. She and the women begin preparations to defend themselves from the approaching monsters. And thus our tale begins…

The artwork in Ladycastle is beautifully drawn with bright colors. I enjoyed the premise of the story. But Ladycastle doesn’t quite fulfill its promise in this volume.

Photo by Felix Mittermeier on Pexels.com

In the beginning of each section, the ladies’ inner monologue reads like a Disney or classic Broadway song, purposefully so. It’s distracting and derivative. I get that this work was attempting to point out the inherent bias of the other works, but I feel it takes away from the originality of this one.

The dark ages were brutal on women. I get it. Each lady in Ladycastle has a backstory of abuse or neglect from the man who ran her life, except for Gwyneff who hadn’t yet attained an age to be given away by her father for political purposes.

I liked how this comic flips that gender-issue on its head, the women rule the roost now. But the delivery of the lesson is heavy-handed, especially in the first two sections of the book.

As other readers have noted, there is a stab at diversity in this book, but no inclusion of LGBTQ characters. I can’t see any reason for this over-sight.

Recommended for readers who enjoy graphic novels, but with the reservations listed above. I felt like this topic was handled more deftly in the graphic novel for children, Princeless, Vol. 1: Save Yourself.

Thanks for reading!

The Cruelest Month (Chief Inspector Armand Gamache, #3) by Louise Penny

“But Three Pines itself was a village forgotten. Time eddied and swirled and sometimes bumped into it, but never stayed long and never left much of an impression. For hundreds of years the village had nestled in the palm of the rugged Canadian mountains, protected and hidden and rarely found except by accident.” pg 10, ebook

Readers are back with Chief Inspector Armand Gamache for another unlikely murder in the village of Three Pines. This time, it appears as if someone was scared literally to death.

Photo by Eternal Happiness on Pexels.com

“Eight of them had gathered in the cozy back room of the bistro to raise the dead this Good Friday, and the only question seemed to be, who would do it.” pg 17, ebook.

Why is it that such a lovely place continues to experience such horrors?

“Was it possible the old Hadley house was full of their anger and sorrow? Was that why it attracted murderers? And ghosts?” pg 26, ebook.

Meanwhile, Gamache is haunted by a ghost from his past, the Arnot case. Claire continues to work on her painting while Peter tries not to be jealous of her talent. And for fans of the irascible poet, Ruth has a special role in this story.

I think what sets Louise Penny apart from other mystery authors is that she has created an entire community full of humorous and welcoming characters that I find myself wanting to return to. That’s not as simple as she makes it seem.

“One by one they entered the old Hadley house. It was colder inside than out and smell of mold. The electricity had long since been turned off and now the circles of torchlight played on the peeling floral wallpaper, stained with damp which they all hoped was water.” pg 35, ebook

My only criticism is that I didn’t enjoy the mystery in this book as much as the previous ones. There was a lot of side drama that did a lot to build the characters but not to advance the plot. Otherwise, highly recommended for readers who enjoy cozy mysteries.

Thanks for reading!

How to Talk to Girls at Parties by Neil Gaiman

When two young men go to a party, the young women there are so much more than what they expected.

This short story by Neil Gaiman, adopted in a graphic novel format, perfectly captures (in a science fiction-tinged bubble) the bewilderment that goes along with communication and young adulthood.

Sometimes, when you’re trying to chat up members of the opposite sex, it’s as if you’re talking to someone alien from yourself or even just the idea of a person. Gaiman takes this concept and, in typical Gaiman-fashion, runs with it.

He is even able to touch upon the darker side of young, romantic flings. The popular young man in the story gets all the female attention he could want, but at what cost to both him and the young women he leaves behind?

The other young man, referenced in the title because he is hesitant to “talk to girls at parties”, is the one who the narrative follows. His adventure into the worlds of the mind is certainly as wild as his friend’s experience.

This is a quick read, only 10 or 15 minutes, but I found it stuck with me. I was wondering at the layers of meaning in it.

The artwork is beautiful but strange. The women’s eyes are drawn slightly too large for normalcy. It set me on edge and made most of the story unsettling, which I suppose is also the point of the thing.

The story made me think about how much of our relationships take place because we’re brave enough to face that unsettling feeling. And by experiencing “the other”, we come back home a new person than who we were when we left. Maybe not a better person, but different.

Recommended for teens or adults who enjoy science fiction. I think anybody who has faced down their own fears to talk to someone they find enchanting will find something to ponder in this graphic novel.

Thanks for reading!

Animosity, Vol. 3: The Swarm by Marguerite Bennett

In the world of Animosity, the animals became sentient one day. In some areas of the world, this transition occurred more smoothly than others. Strangely, all of the bees disappeared.

This issue sheds some light on where they went.

As this series continues to get darker, I can’t help but be reminded of The Walking Dead, Book One. (Especially with the rumors of a “walled city” in this issue.)

You have a world, much like our own, but with unexpected dangers and predators around every corner. Some have adopted in strange ways to survive, sometimes at the great expense of others. Cultures have entirely changed or adopted to embrace different manners of communication and family.

The strong are thriving, but so are the smart. What matters most are your relationships and how you interact with others.

My one criticism of this series is how dark it seems to be turning. If animals became like people, wouldn’t they get some of our most positive characteristics too, instead of mainly or entirely the negative?

It’s still a fascinating premise in that the carnivores still need to eat meat even though they now have the cognitive abilities of a human. There’s a few panels in this issue showing krill having a conversation about the dangers of trying to communicate with the deep ocean creatures shortly before being swallowed by a whale.

How small does the sentience go? To one-celled organisms? We don’t know yet. But it is a mystery the series is working on solving.

Recommended for adult or older teen readers because of some violence, not too graphic, and stressful situations. This issue ends on a cliffhanger so if you can’t handle the uncertainty, you may want to wait to read these until the series is complete.

Thanks for reading!

The Blue Salt Road by Joanne M. Harris

The Blue Salt Road is where the selkies dwell as kings and queens of the deep. When a young woman named Flora needs to find a husband, she despairs of choosing any of the men on the small island where she lives. They’re hardened by work on the whaling ships and unrefined.

But when Flora’s grandmother teaches her a secret about mysterious beings called the selkies, she knows her search will soon be over.

“In tears he was summoned, salt as the sea,
In silver was his binding. In blood and betrayal, his calling he found.
In cedar, his salvation.” pg 87

Unlike other selkie stories I’ve read, like Sealskin, the person summoned from the waves is male, not female. I’m sure the fairytale has been told both ways, but it’s a nice change from other versions.

Joanne Harris writes interesting and nuanced fantasy in which she takes a look at older stories and puts her own spin on them. If you haven’t had a chance, you may want to read her duology about the Norse god, Loki. (The Gospel of Loki and The Testament of Loki)

“This is my story. The story of the land-folk and the seal-folk, and of treachery, and of the call of the ocean.” pgs 4-5

There’s quite a lot to unpack in the symbols of The Blue Salt Road and the selkie myth. (Warning, spoilers ahead for those unfamiliar with the selkie myth.) In Jungian psychology and dream interpretation, water is a common symbol for the subconscious mind. What floats or comes to the surface is what you’re aware of. Swimming about in the depths of the ocean, are the feelings or situations you’re perhaps unwilling to confront.

In the sad fairytale of the selkie, the fairytale creature emerges from the ocean as a free being, but then is prevented from returning to the depths where it belongs. He or she forced to live a life on land unless she can find the magical item, her sealskin, that allows her to return to the waves.

The added twist to the tale, sometimes, is the selkie has a child that either gets abandoned when he eventually returns to his home or he takes the child with him and the land-bound parent never gets to see the child again.

So, we have a fairytale examining the complex relationship between men, women, and how people handle having a child together. In addition, it looks at the loss of freedom some experience when a single person adopts a life with a family and how some people can’t deal with it.

It also speaks to the individual ways that people deal with growing up and choosing a trade or growing old and growing apart from the people and things they used to cherish.

In Joanne Harris’ version, there’s a family component with the secret passed between mothers and daughters, grandmothers and grandchildren.

“I told you that within the year I should catch myself a prince, and bear him a pretty princeling,” she said. “Now I shall be the envy of all the maids on the island, and all the young men who missed their chance will curse their evil fortune.” pg 44

These secrets that we carry are unique as well and help create cultures among family groups. Sometimes, the spouses we choose to add to the mix don’t adapt well to these cultures and eventually leave, not because there’s a loss of love, but because they are never truly accepted into the family group.

All of this is symbolic goodness is packed into a story that is appropriate for young adults to read. There is nothing overly graphic in here, just layers of complexity that a tween might not be able to grasp.

Highly recommended for young adult and adult readers of fantasy fiction and mythology.

Thanks for reading!

Animosity, Vol. 2: The Dragon by Marguerite Bennett

The plot thickens for Sandor, the hound dog, and his human, Jesse, as they attempt to make their way across the country to reunite Jesse with her half-brother.

“Jesse is growing up, and signs of it frighten Sandor more than they even frighten her. Sandor fears, so much, that he will be unable to protect Jesse from all pain, all terror, aware that he will not be there for her adulthood.”

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Now that all of the animals are sentient, the lines between human and animal, predator and prey have blurred. Certain species are starving to death. Other species are being farmed for their meat. It’s a dark story, but still fascinating in the way it flips reality on its head.

“The honeybees have retreated to some secret place, and the ants threaten blistering violence for the paw that reads the wrong mound, yet each seem unusual in their clannishness to their own kind.”

Along with their new sentience, some of the animals are considering the state of their souls… do they have one, and where do they go when they die? Others are banding together to fight against the humans or each other. And still others are protecting the only person or thing they care about, like Sandor.

My favorite part of this issue was the series recap at the end where the author, Marguerite Bennett, gives a brief glimpse into what’s going on in every state and country since the animals “woke”. Highlights include my home state of Illinois trying to figure out how to regulate the new reality (you know they would) and her description of the new Mongolia: “Little has changed.”

Honestly, this book is worth reading if only for that section. I can’t help but be impressed by the imagination it took to combine the cultures, unique creatures and people of each corner of the world and provide its own mini-story.

The artwork, as you can tell from the cover, is haunting in places. You see animals wielding human weapons and wearing clothing. But it’s not cute, the overall effect is very disturbing. I won’t soon forget a deer lobbing a hand grenade into a group of shadowy figures in the forest and I think that’s probably the point.

Recommended for fans of dark science fiction graphic novels. Thanks for reading!

To read more of my reviews of graphic novels, go to
https://thehelpdeskbookblog.wordpress.com/category/comic-or-graphic-novel/page/1/

Gunpowder Moon by David Pedreira

In a dystopian world where the once powerful countries are now scrambling for fuel, the helium3-rich fields of the moon are a godsend. But when an American miner turns up dead, it may become the new front in a war, not just for control of the Earth, but also the galaxy.

“Cold enveloped him. He opened his eyes in Moon shadow and had to blink to make sure they weren’t closed.” pg 5

This is a story that could have been a thriller, but it gets bogged down in the technical aspects of life on the moon. I imagine the science is sound, but, unlike “The Martian”, I felt like it slowed the action down to a crawl rather than speeding it along.

The characters were problematic. There are half a dozen of them and I couldn’t seem to connect with any.

“Dechert wondered for the hundredth time if the people back home had any clue what it was like to live on the Moon.” pg 15

The mystery wasn’t all that mysterious and is tied up in one paragraph towards the end. I was disappointed. I like my mysteries with more twists and turns, an unexpected bump or two.

“I’m going to catch a quick two hours,” he said. “Wake me up if something bad happens.” pg 29.

A nap was starting to sound pretty good to me too.

I read David Pedreira’s bio and it seems he’s a journalist, or was. I could tell from his writing. The sections read sort of like mini-news stories. Lede, information, kicker, repeat. Not that there’s anything wrong with that format, but I wish the story had been shaken up somewhat.

Oh well. On to the next book! Thanks for reading.

Estranged (Estranged, #1) by Ethan M. Aldridge

A cute graphic novel for middle graders that features a changeling, his human counterpart, their human sister and a golem made out of wax.

“There hasn’t been a human in High Court in a century. That makes you special, doesn’t it?” “Oh, they never let me forget that. It’s always ‘the human childe’.”

But trouble brews when a disgruntled elf turns the king and queen of the High Court into rodents. Then, she goes after the “Childe”. In response, he seeks out his changeling twin in the world above or the real world. And that is where our adventure begins.

“The only home I’ve ever had has been taken! This was meant to be my home, my life, and it was taken before I was old enough to remember it!” “I’ve got nothing, nowhere to go! I have as much right to be here as you!”

Along the way, they have to face goblins, magic statues, a witch and a treasure-hungry dragon. The plot is a bit simplistic but it is perfect for children who like fantasy and urban fantasy.

In fact, I picked this book up at the local game shop for my daughter and she read it in one sitting, which is a miracle because she’s a reluctant reader. I’m always looking for stories or formats that appeal to someone who enjoys video games more than books.

Photo by Andrea Piacquadio on Pexels.com

She absolutely loved it and said I HAD to read it. I asked why and she said, “Because it’s just awesome.” She loved the magic and world Ethan Aldridge has created. She also loved the artwork. Her favorite character, and mine, was Whick, the brave wax golem who accompanies the Human Childe from the court below to the world above and back.

The story also touches on the sometimes difficult relationship between a brother and sister. There’s a good message about taking care of your family that I resonated with.

In conclusion, I loved that my Human Childe loved it. Highly recommended.

Thanks for reading!

The Only Harmless Great Thing by Brooke Bolander

Author Brooke Bolander takes two unrelated historical events and ties them together in an effort to make a statement about the inherent darkness in humanity. Historically speaking, an elephant named Topsy was actually put to death by electrocution. The radium dial painters, whom you can read about in The Radium Girls: The Dark Story of America’s Shining Women, actually existed.

In this science fiction/alternative history story, elephants are a sentient race, forced to work where the radium girls once worked. And to bear the same lethal doses of radiation. It leads to a sad conclusion.

“The ‘greater good’, as you put it, was also used to justify the use of my people in your radium factories during the war, was it not? To save costs. To save your own from poisoning.” pg 32

This new history is reflected in a future narrative that takes place between the historical portions of the story. (You’ve got three stories being told from three different narrators. I didn’t find it confusing once I figured out that the author switched stories after each break on the page. But prior to that, I was grasping at straws.)

In this new future, the government is looking for a way to warn humankind away from nuclear waste sites. They decide to ask the elephants if they can alter their DNA, to make them glow in a version of a living “keep away” sign.

And so here Kat sits, tie straightened, hair teased heaven-high, waiting to meet with an elephant representative. Explaining the cultural reasons why they want to make the elephant’s people glow in the dark is going to be an exercise in minefield ballet…” pg 12

I felt like this book lessened each historical event rather than making them stronger by tying them together. They were both awful, yes, and sentient elephants deserve their own story. The women who suffered and died because no one shared the dangers of radiation with them, deserve their own story. Something far more than the simplistic alternative future Bolander gives them in which, yet again, elephants were about to be abused by human beings and confined to a nuclear wasteland.

“They will see how we shine, and they will know the truth.” pg 59

In some ways, it all reminded me of what was done to the Native American tribes. Which was also awful. And also deserves its own write-up.

Another quibble I had with this story, Bolander takes aim at the males of both species, painting them as both stupid and addicted to violence.

“The bull rolled one red eye to look up at her. He laughed with malice and with scorn, but most of all with madness. As is the way with bulls. … Furmother looked at him with sadness — because then as now We pitied the bulls, our Sons and Fathers and occasional Mates.” pgs 30-31

Can you imagine if those pronouns were reversed? “The Furmother rolled one red eye to look up at him. She laughed with malice and with scorn, but most of all with madness. As is the way with Furmothers…” I don’t believe in hurling hate or blame from either end of the spectrum. We’re all in this together.

On a more positive note, the curious collective intelligence of the elephants that the author hinted at was fascinating, as well as their different methods of communication. But this short story format doesn’t allow for an in-depth examination of this aspect of the story.

“They had blown raw red holes through the Many Mothers, hacked away their beautiful tusks, and the sky had not fallen and she had not mourned the meat. She was She — the survivor, the prisoner, the one they called Topsy — and She carried the Stories safe inside her skull, just behind her left eye, so that they lived on in some way.” pg 14

Elephants are something special. I’m reminded of the Romans and how they loved to kill people and all manner of animals in the Coliseum, except elephants. They banned killing elephants because they couldn’t stand to look the creatures in the eye as they died. There was something too sad to be borne that was communicated in the moments before an elephant’s death, something that crossed species lines.

That’s why I wanted this story to work. And, sadly, I just didn’t connect with it.

Thank you for reading!

The Help Desk Book Blog

Sharing reviews and deep thoughts about life.

Tag: Fiction

Ladycastle by Delilah S. Dawson

The Cruelest Month (Chief Inspector Armand Gamache, #3) by Louise Penny

How to Talk to Girls at Parties by Neil Gaiman

Animosity, Vol. 3: The Swarm by Marguerite Bennett

The Blue Salt Road by Joanne M. Harris

Animosity, Vol. 2: The Dragon by Marguerite Bennett

Gunpowder Moon by David Pedreira

Estranged (Estranged, #1) by Ethan M. Aldridge

The Only Harmless Great Thing by Brooke Bolander

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