Otherwhere: A Field Guide to Nonphysical Reality for the Out-Of-Body Traveler by Kurt Leland

Otherwhere: A Field Guide to Nonphysical Reality for the Out-Of-Body Traveler by Kurt Leland

Kurt Leland’s Otherwhere is the first out-of-body memoir/guide (that I’ve read, so far) that discusses the importance of the individual’s consciousness in how the inner worlds are perceived.

It’s not a new idea, being repackaged and sold throughout time, lately in the New Age/New Thought movement, that one’s beliefs shape one’s reality. But, as Kurt Leland points out in other dimensions where thoughts literally are that reality, this individual viewpoint takes creation to a whole different level.

He suggests that what Robert Munroe, Jurgen Ziewe, and so many other consciousness explorers experience when they are in their various out-of-body states is archetypical energy, though he doesn’t use that terminology. Leland calls the perception of this energy: one’s own personal translation tables.

Rather than taking the figures that one encounters at face value or judging them based on ingrained religious beliefs, Leland encourages the Otherwhere visitors to examine what the figure does. It’s very similar to what dream interpreters teach about how to understand your dreams.

Like me, Leland believes that anyone can have out-of-body experiences. He has this to say about why more people don’t: “It’s my firm belief that what prevents people from having out-of-body experiences and exploring nonphysical reality on their own is fear of the unknown. In my experience, the best way to overcome fear of the unknown is to familiarize oneself with the personal accounts of people who have overcome that fear themselves. I believe that personal accounts of out-of-body experiences are far superior to how-to manuals in stimulating people to venture into the unknown.” Preface, xii

He goes on to say: “In my opinion, our fear of the unknown is really just anxiety about becoming unlovable as a result of having had unfamiliar experiences and being changed by them. If we attempt to explore nonphysical reality and succeed, we’re afraid that we’ll be rejected, disbelieved, or thought to be crazy.” pg 27. Time to get over that. Don’t you think? 🙂

Lelend uses lucid dreaming as his method of exploring other worlds (Otherwhere). I’ve explored a few books about lucid dreaming one of which you can read here. If you are interested in my explorations into nonphysical reality, you can read those here.

I found this episode of a woman that he encountered there to be very illuminating. In this passage, he is talking to his Otherwhere instructors about her: (the Instructor saying) “As you can see, my colleague and I intended every image in the dream to contribute in some way to the lesson we wanted you to learn.” (Leland asks) “What about the woman reading the book?” “As you recall, she was facing the door into Otherwhere. There are many people in the world who have an interest in exploring psychic phenomena. They love to read about other people’s adventures in altered states of consciousness. But if a door that would allow them to undertake such explorations on their own were to open, they would make up excuses not to go through. The most common one is that they don’t have time.” pg 99

Let’s not be that woman.

The importance of physical life- in this excerpt, Leland is listening to an instructor in Otherwhere: “While it’s true that I no longer feel regret about anything I’ve experienced during previous lifetimes on Earth, I wouldn’t say that I’m grateful to be among the dead. That would imply that life over here, in Otherwhere, has a greater value than life on Earth. From our perspective, that isn’t true. There are things that can be learned only here and not there. But there are also things that can be learned only on Earth. Learning is all that matters, and no lesson is more or less valuable than any other. pg 152

Keep on learning, check.

In this passage, Leland examines the availability of teachings on other dimensions: “There are many maps of nonphysical reality… scattered throughout the history of your art and literature. These can provide useful translation tables for orientation within nonphysical reality. Why should every individual who explores nonphysical reality start from scratch?” pg 158

Why indeed… with the modern age and the easy availability of formerly difficult-to-discover information through the internet and public libraries, one can stand on the shoulders of giants to begin your own personal studies.

Everyone is an artist: “Every human being is immensely creative. But unless that creativity is channeled into some art or craft, it will be used instead to generate illusion. It could be said, therefore, that every human being is an artist, at least in potential. Developing this creativity is an essential part of every person’s life purpose, even if it isn’t the main focus of one’s career.” pg 238.

I believe that too. I’ve read a bunch of books about creativity, one of which you can explore here.

“How you choose to represent to yourself the ways of gaining access to any zone of Otherwhere is up to you. The validity of such images lies in their usefulness, not in some kind of absolute truth. The only important thing is that you give yourself some way of identifying the zone into which you’ve traveled, so that you can return on future occasions. Whether this manner of identification is the name of a subway line or station, or the number on a gate in an alley, is your choice. The identifying function of such names or numbers is all that matters.” pg 262

Or, like in my own personal explorations, tarot cards.

Leland finishes his account with a modern version of Dante’s Paradiso in which, he traveled to Otherwhere and discovered different areas within that place where the dead came to terms with the life they had just completed. Absolutely fascinating stuff.

Then he talks about ways to remove your consciousness from the ordinary to experience what he and others (and me!) have experienced- whether that be through meditation, lucid dreaming, shamanic drumming, etc, and, the librarian in me loved this part, gives book lists for learning each type of technique. He saves consciousness explorers a lot of time, which is a kind thing to do.

I highly recommend Otherwhere for folks beginning their consciousness exploration or the experienced traveler. It is a how-to guide, a journal, and an encouraging, exploratory ramble through Otherwhere, a place where anyone can go, if they only set their mind and heart on doing so.

Thanks for reading!

Psychic Dreamwalking: Explorations at the Edge of Self by Michelle Belanger

Psychic Dreamwalking: Explorations at the Edge of Self by Michelle Belanger

Psychic Dreamwalking has some instruction on lucid dreaming, but it is interspersed with a lot of personal background information and some psychic vampire stuff. That didn’t bother me, even though it isn’t my particular realm of study. I’ve found that the mind is a very powerful tool for interpreting reality and people seem to believe all sorts of things that I find to not be compatible with my life experience. But, if that kind of thing annoys you, just stop reading Psychic Dreamwalking before Chapter 9 and you’ll avoid most of it.

I rather liked author Michelle Belanger’s opening dedication, “Prayer of the Dreaming”: “I commit myself to you, Lord Morpheus! Open wide the Gates of Dream. Grant me safe passage in your realm So I may return with tales to tell. -from the Introduction. She mentions that this prayer is based on The Dream King from Neil Gaiman’s Sandman series. I haven’t read that comic yet, but it has a great reputation. I’ll have to get to it sometime.

What is dreamwalking anyway?: “Dreamwalking is the art of sending forth a part of the self in order to make contact with others through the medium of dreams. Anyone can learn how to dreamwalk, and, as we explore the concept throughout this book, you will find that most people already do. … The lack of available information on dreamwalking exists in part because there is no consistent nomenclature for the technique. There are accounts of dreamwalking mixed in with experiments in astral projection, dream telepathy, and lucid dreaming, but they are rarely identified as such.” pg 1

It is so difficult in consciousness experimentation to come up with a vocabulary to discuss not only your experiences but to be able to communicate something very personal and individual with someone else who may have had completely different experiences and who are approaching the same topic from a different background. The name of the game in this book is “dreamwalking” which I find to be a rather poetic way to describe a universal phenomenon.

“But this the fundamental premise of dreamwalking: on some level, the dreamspace is real. It is not real in the sense that the physical world it (sic) real, but it is certainly as real as the astral planes described by writers like Madame Blavatsky and Dion Fortune. Like the astral planes, the dreamspace is a subjective reality. As much as it is a place we can go to, it is also a place that we shape with out (sic) hopes, desires, and fears.” pg 25

I think this is a part of the human experience that deserves a far broader investigation than experts and laypersons have given it so far. But there’s always time to get started! Who’s with me?

Belanger talks about Carl Jung a lot in this book. I wonder what he would think about dreamwalking…: “Jung’s concept of the collective unconscious, a layer of myth and symbol deep within each of our minds that connects all of us in mysterious ways, hearkens back to the ancient notions that the dreamspace is a realm unto itself, a hazy place of twilight where men can sometimes meet with gods.” pg 36

It reminds me a great deal of the Dreamtime of the First Nations of Australia. This is not a new concept but one which, as I said before, deserves more experimental research than it has yet received.

The main technique that Belanger uses to access this world within dreams is one that I am very familiar with, namely building a gate: “The Gates of Dream are an archetypal image that I return to again and again in this book. Archetypes and symbols have some objective reality within the realm of dreams, and the Gates of Dream represent the point of passage from your personal dreams to the wider territory of the dreamspace. You can harness this archetypal image in your dream haven, creating a crossing-over point that can later serve as a focus for when you seek to dreamwalk.” pg 51

If you’d like to learn about my experiences with walking through gates, I invite you to explore my blog: https://thelightcongress.com/

Belanger touches a bit on shamanic practices, but not in depth: The shamanic dreamtime, as a realm of myths and images that is peopled by animal totems and celestial teachers, can very easily be equated to Jung’s collective unconscious, the psychological repository of humanity’s collective myths, dreams, and symbols. Many of the totems and other mythic figures encountered in the shamanic realms are Jungian archetypes transported from their existence as simple concepts to vivid, potent entities. … There is a kind of travel that occurs in dreamwalking, but it is, at first, an inward journey. This inward journey, however, can lead the dreamwalker elsewhere. Traveling within can sometimes lead you out. pg 67

I’ve explored a few books about shamanism. You can read those reviews here:

In this passage, Belanger discusses the importance of lucid dreaming in various religious traditions: “From the monks of Buddhist Tibet to the 12th century Spanish Sufi Ibn El-Arabi, mystics the world over have proclaimed the benefits of lucid dreaming. For religious thinkers, lucid dreaming has long been seen as a way to illuminate both the nature of the Self and the nature of reality. Tibetan Buddhists were pursuing lucid dreams as early as the eighth century C.E. According to their philosophy, the mastery of lucid dreams was a necessary step in the pursuit of enlightenment. The ability to recognize the illusory nature of the dreamstate directly correlated to the ability to recognize the illusory nature of all things. pg 139 Fascinating in how the study of dreams can be applied to other areas of your life!

Belanger captured my feelings about psychic vampires very well in this passage: “Ultimately, you and you alone can judge the validity of your experiences. You should never surrender this right, but you should also not use it as an excuse to indulge in wish fulfillment. Make a thorough investigation of every experience and decide for yourself. pg 181. Cura te ipsum.

Though I feel that Psychic Dreamwalking contained a lot of superfluous information, there are some solid dreamwalking techniques in here. I think that the main hurdle to this practice is simply becoming lucid while dreaming in the first place. So, for now, I’ll stick with going into trance. But, for those who already have the ability to lucid dream, this may be something that you’ll want to investigate. Pick up Otherwhere by Kurt Leland for a first person account of dreamwalking or Multidimensional Man by Jurgen Ziewe.

Thanks for reading!

Lair of Dreams (The Diviners, #2) by Libba Bray

Lair of Dreams (The Diviners, #2) by Libba Bray

Something is attacking sleepers during their dreams. They enter another realm, tempted by their deepest desires and then become haunted by their greatest fears, and never wake up.

“For dreams, too, are ghosts, desires chased in sleep, gone by morning. The longing of dreams draws the dead, and this city holds many dreams.” pg 9, ebook.

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All of your favorite characters from The Diviners are back on the case while dealing with drama in their personal lives. And readers are introduced to a new diviner, a talented dream walker named Ling.

“Ling often spoke to the dead in dreams, but these men weren’t like any dead she had known. ‘What do you want?’ she’d asked them, afraid. ‘Help us,’ they said, and then the sky exploded with light.” pg 19, ebook

Even as the characters face the menace in their dreams, something even bigger and darker is on the horizon, threatening the future of the entire country.

Lair of Dreams is a story by itself, but it leads to a bigger story arc and the third book in the series.

Libby Bray has created a richly detailed world of Prohibition-era New York with flappers, flasks and speak-easys. She effortlessly transports the reader from Harlem to Chinatown and back again.

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Evie O’Neill, now “America’s Sweetheart Seer”, is just as sassy as she’s always been. But she’s come a long way since the last book and stepping into her power has given her a smidgen of gravitas.

“Evie only told the object holder what he or she wanted to hear. People wanted entertainment, yes, but mostly they wanted hope.”pg 23, ebook

Fans of Henry get to learn more of his backstory. Theta and Memphis continue to develop their relationship, while Memphis’ brother, Isaiah, faces a shadowy menace of his own. Mabel and Jericho receive less attention in this installment, but they do have some development too.

My complaint with Lair of Dreams is that I found the dream sequences repetitive. It slowed the forward motion of the plot to a plodding pace. Other than that, the characters are fantastic and the dialogue is snappy.

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It is a fun historical fiction and fantasy novel for young adults, but readers have to practice some patience during its reveal.

Check out my review of the first book in the series: The Diviners (The Diviners, #1) by Libba Bray

And thanks for reading!