The Priory of the Orange Tree by Samantha Shannon

The Priory of the Orange Tree by Samantha Shannon

A cast of interesting and well-imagined characters stumble through poorly-written plot twists on their way to saving the world from “The Nameless One”.

“The House of Berethnet may protect us from the Nameless One, or it may not. There is no proof either way. … That is the problem with stories, child. The truth in them cannot be weighed.” pg 109

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I started out enjoying The Priory of the Orange Tree. The way the story builds is engaging and moves along at a fast clip.

My main quibble with this fantasy book is Samantha Shannon takes more than 800 pages to create her world with its countries, religions, magic systems, but then resolved major plot points in two to three sentences or less in some cases.

We learn about items that have been missing for a millennia and I thought, oh this is going to be interesting to figure out. But then, two pages later, through a series of ludicrous coincidences, two of the main characters have one of the items in their hands.

In one of the major confrontations of the book, Shannon doesn’t even write dialogue and played it out through the eyes of a character who had no idea what was going on. I wouldn’t have been so put off by it if she hadn’t spent literally hundreds of pages getting us to that point. That particular villain may not have been the focus of the tale, but I think she at least deserved a final monologue.

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When traveling from place to place, there aren’t tantalizing descriptions of the trip. Basically, the character gets in the conveyance and, boom, they’re at the destination. Shannon used more descriptive words when she talked about the food characters were eating than she did when her characters were moving from here-to-there.

The exception to this rule were her descriptions of “the Abyss”. The way she depicted the stars shining down from above and out of the depths was beautiful.

Complaints aside, there were plenty of things I liked about the book. I enjoyed the way Shannon took real life alchemical principles and wove them into something otherworldly for her story.

“What is below must be balanced by what is above, and in this is the precision of the universe. Fire ascends from the earth, light descends from the sky. Too much of one doth inflame the other, and in this is the extinction of the universe.” pg 150

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I also liked the secret order whose name graces the front cover of the book. The different cultures Shannon created were a treat a learn about. I thought her characters were, for the most part, quite relatable.

“So you see, Ead,” the queen said, “I do not sleep because I’m not only afraid of the monsters at my door, but also of the monsters my own mind can conjure. The ones that live within.” pg 203

The characters were diverse and, as I mentioned, well-written. A couple times in the story, particularly in the portions about the Abyss, I felt Shannon’s writing was elevated to something like prose.

“Love and fear do strange things to our souls. The dreams they bring, those dreams that leave us drenched in salt water and grasping for breath as if we might die – those, we call unquiet dreams. And only the scent of a rose can avert them.” pg 416

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I think this story could have been extraordinary if Shannon hadn’t been trying to fit so much into one volume. A trilogy with lingering descriptions of landscapes and nail-biting conclusions to the various story arcs would have been much more enjoyable.

Thanks for reading!

The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making by Catherynne M. Valente

The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making by Catherynne M. Valente

The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making is a modern take on more traditional fairy tales wherein a child finds a way to another world and comes back changed.

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I first read the title of this book in Catherynne Valente‘s much more adult novel, Palimpsest. I think it was mentioned as sitting on someone’s book shelf. I remember thinking how I wish I could read that book too. Imagine my surprise to discover it was actually a book in the real world. Of course, I had to pick it up.

“You seem an ill-tempered and irascible enough child,” said the Green Wind. “How would you like to come away with me and ride upon the Leopard of Little Breezes and be delivered to the great sea, which borders Fairyland?” pg 2

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How could any heroine refuse an invitation like that?

The main character of this tale, a girl with the curious name of September, has read enough books to know a once-in-a-lifetime chance when she sees it. Though she doubts, at first, that she is the appropriate girl for the adventure.

“In stories, when someone appears in a poof of green clouds and asks a girl to go away on an adventure, it’s because she’s special, because she’s smart and strong and can solve riddles and fight with swords and give really good speeches, and… I don’t know that I’m any of those things.” pg 14

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Part of Valente’s fairytale, like most good fairytales, is how September realizes how special she actually is — one of the conclusions heroes tend to arrive at during their various journeys.

September’s journey is a danger-filled jaunt through a land under the thumb of a smartly-hatted villain named the Marquess. September meets curious characters along the way including a trio of witches, a wyvern who claims his father is a library, and a boy from under the ocean with dark eyes and a secret.

The story contains plenty of winks and nods to anyone who loves reading: “Stories have a way of changing faces. They are unruly things, undisciplined, given to delinquency and the throwing of erasers. This is why we must close them up into thick, solid books, so they cannot get out and cause trouble.” pg 36

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And: “She sounds like someone who spends a lot of time in libraries, which are the best sorts of people.” pg 55

They are the best sorts, aren’t they.

Recommended for young adults, the young-at-heart, or anyone who enjoys quirky portal fantasy reads. I thought this book was charming.