The Priory of the Orange Tree by Samantha Shannon

The Priory of the Orange Tree by Samantha Shannon

A cast of interesting and well-imagined characters stumble through poorly-written plot twists on their way to saving the world from “The Nameless One”.

“The House of Berethnet may protect us from the Nameless One, or it may not. There is no proof either way. … That is the problem with stories, child. The truth in them cannot be weighed.” pg 109

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I started out enjoying The Priory of the Orange Tree. The way the story builds is engaging and moves along at a fast clip.

My main quibble with this fantasy book is Samantha Shannon takes more than 800 pages to create her world with its countries, religions, magic systems, but then resolved major plot points in two to three sentences or less in some cases.

We learn about items that have been missing for a millennia and I thought, oh this is going to be interesting to figure out. But then, two pages later, through a series of ludicrous coincidences, two of the main characters have one of the items in their hands.

In one of the major confrontations of the book, Shannon doesn’t even write dialogue and played it out through the eyes of a character who had no idea what was going on. I wouldn’t have been so put off by it if she hadn’t spent literally hundreds of pages getting us to that point. That particular villain may not have been the focus of the tale, but I think she at least deserved a final monologue.

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When traveling from place to place, there aren’t tantalizing descriptions of the trip. Basically, the character gets in the conveyance and, boom, they’re at the destination. Shannon used more descriptive words when she talked about the food characters were eating than she did when her characters were moving from here-to-there.

The exception to this rule were her descriptions of “the Abyss”. The way she depicted the stars shining down from above and out of the depths was beautiful.

Complaints aside, there were plenty of things I liked about the book. I enjoyed the way Shannon took real life alchemical principles and wove them into something otherworldly for her story.

“What is below must be balanced by what is above, and in this is the precision of the universe. Fire ascends from the earth, light descends from the sky. Too much of one doth inflame the other, and in this is the extinction of the universe.” pg 150

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I also liked the secret order whose name graces the front cover of the book. The different cultures Shannon created were a treat a learn about. I thought her characters were, for the most part, quite relatable.

“So you see, Ead,” the queen said, “I do not sleep because I’m not only afraid of the monsters at my door, but also of the monsters my own mind can conjure. The ones that live within.” pg 203

The characters were diverse and, as I mentioned, well-written. A couple times in the story, particularly in the portions about the Abyss, I felt Shannon’s writing was elevated to something like prose.

“Love and fear do strange things to our souls. The dreams they bring, those dreams that leave us drenched in salt water and grasping for breath as if we might die – those, we call unquiet dreams. And only the scent of a rose can avert them.” pg 416

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I think this story could have been extraordinary if Shannon hadn’t been trying to fit so much into one volume. A trilogy with lingering descriptions of landscapes and nail-biting conclusions to the various story arcs would have been much more enjoyable.

Thanks for reading!