“The only successful theft from London’s National Gallery took place on August 21, 1961, when a brazen thief stole Goya’s Portrait of the Duke of Wellington.” Introduction

Alan Hirsch discusses an extraordinary art heist that took place in the 1960s, how it affected criminal law thereafter and even made an appearance in a James Bond movie. The thief sent authorities a series of ransom notes, demanding money for the return of the painting. This went on for years.

“All the publicity led to a spike in visitors (from the usual August average of five thousand daily to more than seven thousand in the weeks following the theft), and reportedly even more people came to see the empty space where The Duke had hung than had come to see the painting itself.” pg 19

This potentially fascinating story becomes bogged down during the chapters discussing the trial and minutiae of the law. But, Hirsch is thorough, I’ll give him that.

“Where necessary, lawyers argued in the alternative: “My client did not take the painting, and if he did take it he intended to return it.”pg 125

I loved the information about the thief himself, which the world may not have seen before this book. Hirsch was given the man’s unpublished memoirs to add details to his side of the story.

“I understand you have information to give to police respecting the theft of the Goya portrait from the National Gallery in London.” “You don’t have to look any further, I am the man who took it,” the man calmly replied.” pg 107

I also enjoyed the information about the ransom notes sent after the heist. That part of this book read almost like a movie. Who does that!

“In handwritten block letters, it began: “Query not that I have the Goya,” and it sought to prove the point by identifying marks and labels on the back of the canvas.” pg 52

Admittedly, I know very little about art history and had never heard of this event before reading The Duke of Wellington, Kidnapped!. But I think this would be a great read for anyone interested in history, especially art history. It may appeal even more if you’re interested in the development of criminal law in Great Britain.

Thanks for reading!

Here’s the History Guy episode I wrote about the theft of the Wellington portrait:

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