The Blue Salt Road by Joanne M. Harris

The Blue Salt Road is where the selkies dwell as kings and queens of the deep. When a young woman named Flora needs to find a husband, she despairs of choosing any of the men on the small island where she lives. They’re hardened by work on the whaling ships and unrefined.

But when Flora’s grandmother teaches her a secret about mysterious beings called the selkies, she knows her search will soon be over.

“In tears he was summoned, salt as the sea,
In silver was his binding. In blood and betrayal, his calling he found.
In cedar, his salvation.” pg 87

Unlike other selkie stories I’ve read, like Sealskin, the person summoned from the waves is male, not female. I’m sure the fairytale has been told both ways, but it’s a nice change from other versions.

Joanne Harris writes interesting and nuanced fantasy in which she takes a look at older stories and puts her own spin on them. If you haven’t had a chance, you may want to read her duology about the Norse god, Loki. (The Gospel of Loki and The Testament of Loki)

“This is my story. The story of the land-folk and the seal-folk, and of treachery, and of the call of the ocean.” pgs 4-5

There’s quite a lot to unpack in the symbols of The Blue Salt Road and the selkie myth. (Warning, spoilers ahead for those unfamiliar with the selkie myth.) In Jungian psychology and dream interpretation, water is a common symbol for the subconscious mind. What floats or comes to the surface is what you’re aware of. Swimming about in the depths of the ocean, are the feelings or situations you’re perhaps unwilling to confront.

In the sad fairytale of the selkie, the fairytale creature emerges from the ocean as a free being, but then is prevented from returning to the depths where it belongs. He or she forced to live a life on land unless she can find the magical item, her sealskin, that allows her to return to the waves.

The added twist to the tale, sometimes, is the selkie has a child that either gets abandoned when he eventually returns to his home or he takes the child with him and the land-bound parent never gets to see the child again.

So, we have a fairytale examining the complex relationship between men, women, and how people handle having a child together. In addition, it looks at the loss of freedom some experience when a single person adopts a life with a family and how some people can’t deal with it.

It also speaks to the individual ways that people deal with growing up and choosing a trade or growing old and growing apart from the people and things they used to cherish.

In Joanne Harris’ version, there’s a family component with the secret passed between mothers and daughters, grandmothers and grandchildren.

“I told you that within the year I should catch myself a prince, and bear him a pretty princeling,” she said. “Now I shall be the envy of all the maids on the island, and all the young men who missed their chance will curse their evil fortune.” pg 44

These secrets that we carry are unique as well and help create cultures among family groups. Sometimes, the spouses we choose to add to the mix don’t adapt well to these cultures and eventually leave, not because there’s a loss of love, but because they are never truly accepted into the family group.

All of this is symbolic goodness is packed into a story that is appropriate for young adults to read. There is nothing overly graphic in here, just layers of complexity that a tween might not be able to grasp.

Highly recommended for young adult and adult readers of fantasy fiction and mythology.

Thanks for reading!

ODY-C: Cycle One by Matt Fraction

ODY-C is an incredibly strange, but beautiful graphic novel that takes the classic story line of Homer’s The Odyssey and flips it on its head.

“Here where so many great women died. Three ships leave Troiian space. Three adventures now start. Three great heroes begin their last odyssey.”

The book begins with the warriors returning home from an epic war in space. Instead of Helen of Troy, the war was fought over one of the only males in the galaxy, a latex-covered man named “He.”

Like in the old tale, the goddesses, children of Titans, overthrew their father, Kronos. In a twist in this world, they decided that all children grow up to throw down their parents and kill several generations of their own children. In order to ultimately control humanity, Zeus, a curvaceous, powerful woman, in an extraordinary display of power, destroys every male in existence. Eventually leading to the events I just described…

“Sing in us, Muse of Odyssia, witchjack and wanderer. Homeward bound. Warless at last.

Honestly, this book is hard to explain. I think “acid trip” might do it justice. The colors are vivid and the characters can be nightmarish, vulgar or gorgeous. The universe within this book is a science fiction-themed romp with monsters, goddesses, and all sorts of unbelievable settings — a world of bones wherein the child of a goddess forever seeks its prey, a type of space station fueled by a star in which a rare male child of a goddess endlessly mates with women and then kills them when they inevitably give birth to another female… and more.

“Down in the ruinous piles of viscera once her command and her crew, Odyssia recalibrates. Watching the Cyclops of Kylos make feast of the ODY-C’s girls, they know for the first time since Troiia did fall just what fear really feels like inside.”

Photo by Cosmopolitano Model on Pexels.com

It helps to be familiar with classic mythology because the authors don’t take the time to explain how the two are related. Or, I suppose, you could just jump into it blind. I felt like I enjoyed it more knowing both sets of stories.

I was fortunate that the library’s copy of this book included creator interviews in the back to give more context to this incredible work they’ve created.

“Between bearded-lady gods, gender-flipped heroines, gender-uncertain sebex and the odd character who keeps the same gender as their source, the ODY-C is less a gender-bent Odyssey than it is an Odyssey-flavored gender pretzel. Rather, ODY-C is an early next step into what comes after the gender flip: the unfurling of the gender spectrum both to comment on and to dismiss outright what we understand as gender roles and norms in classic literature.”

There is certainly a lot to unpack in here. And it is such a good story.

“The act of telling a story — especially of telling one well — turns your audience’s brain into a photocopy of your own, overriding any other stimuli that the listener is experiencing independently. When a story is so good you feel like you were actually there in the middle of it, it’s because, at least as far as your brain is concerned, you actually were.”

In addition to the Greek and Roman mythology, there’s shades of Scheherazade in the unfolding of the fate of He. Readers are also treated to a new twist on the foundation of Rome myth. At least, I think that’s what it is. With the level of creativity in here, it’s honestly hard to tell.

Recommended for readers who are looking for a graphic novel that is completely different from anything you’ve ever seen before. This is that book.

Thanks for reading!

The Testament of Loki (Loki, #2) by Joanne M. Harris

“Once more the Wolf at Hel’s gate greets Asgard’s heroes, one by one. Battle rages, Worlds collide. Stars fall. Once more, Death has won.” pg 5

Ragnarok has come and gone. It didn’t end well for any of the gods, goddesses or, everyone’s favorite Chaos demon, Loki. He begins this story in the same place we left him in the last one — a dungeon in the world of Chaos, wishing and dreaming for light.

What happens next is surprising and told in only the way that Joanne Harris can do it.

“Stories can do so many things. Build empires, topple kings. They can even raise the dead. I should know; they raised me.” pg 10

This wholly unique tale is more along the lines of what I had expected from The Gospel of Loki, but didn’t get. In the previous book, Harris rewrites Norse mythology in much the same way as it has always been told. I get it, she was giving us context. But, it wasn’t very much fun to read… just rehashing old stories.

In this entry, we see Loki in a whole new light with modern characters and his typical problems. It makes for a more cohesive and, in my opinion, entertaining story.

“You know, ‘crazy’ is such a negative word. I prefer ‘disordered.’ Order’s so dull. Chaos is where the party is.” pg 25

What has an immortal trickster god learned over his long lifetime? In The Gospel of Loki, he learned the only person he could trust in the world is himself. He learned what it was to be hated for what you were, rather than any actions that one may take. (Though, perhaps, he didn’t always behave in a way to endear himself to others. Not that Loki would ever admit that, of course.)

He learned that prophecies are tricky things and can be bent to be of use to those who deliver them.

“The Prophecy promised us new runes, new gods, a new beginning. And I mean to find those new runes with whatever resources this World can provide.” pg 68

Is it too late for Loki to learn new tricks?

It’s been awhile since I read Harris’ other fantasy series Runemarks, but from what little I can remember of it, I think this book leads perfectly into that one. Which is a curious thing, because Runemarks was published years before this.

Oh, that Joanne Harris. She’s so sneaky. I wonder if she planned that or was embracing a bit of chaos in her writing career. If there’s anything I’ve learned from this book and the last one, it’s that a little chaos can be a good thing.

Thanks for reading!

The Gospel of Loki (Loki #1) by Joanne M. Harris

Joanne M. Harris treats readers to episodes from Norse mythology from Loki’s point of view.

“No doubt about it, I told myself. These bastards really don’t like me.” pg 27

Born from literal Chaos and tricked into joining Odin’s forces of Order, Loki is perpetually a child of both worlds. From his first moments out of the world of Chaos, Loki is disliked by the other gods. That leads to some initial unpleasantness and he vows, no matter how long it takes, to get his revenge.

“Till then, I bided my time, and smiled as sweetly as my scarred lips would allow, until the day I would take my revenge and bring the gods down, one by one.” pg 67

And it is a long game. Through schemes, tricks and straight up cons, Loki weaves disorder throughout the worlds.

There’s the memorable time he convinces Thor to dress up as a bride in order to sneak into the home of their enemies: “I’ll be your handmaid, Thor,” I said. “Don’t worry, I won’t steal your thunder. You’ll make a gorgeous bride.” Thor growled. pg 118

As he becomes famous for his trickery, it becomes more difficult for Loki to pull off his tricks. He’s pushed into marriage by Odin, but it doesn’t fit who he is. It isn’t in his nature to settle.

“I began to see that celebrity wasn’t all hot girls and free beer. It’s also the curse of expectation — and the bitterness of falling short.”pg 141

We all know where the story is headed, but it’s a train wreck you can’t quite look away from.

My quibbles with this book included a disjointed feel to the overall story. Loki and company run from one disaster to the next. I realize that the source material is probably the reason for this, but it just doesn’t coalesce into something more than its parts.

Odin’s gods, the gods of Order, come off as rather one note. It’s interesting how Odin was able to see potential in Loki, enough so that he calls him from Chaos to begin with, but the other immortals share none of his vision.

Other than a few notable exceptions, they never extend an olive branch or give Loki the smallest chance to prove himself. In my mind, it’s easy to see why he wants them to fall. Who wouldn’t wish that on the people who are mistreating you?

I’ve read a few of Joanne Harris’ other books, and I remember they contained delightful twists in them, so that the plot wasn’t so straight forward. She’s somehow stuck in telling conventional mythology in this book.

If only she could have used this book to tell aspects of the story we haven’t heard before, or even imagined, using the voice of one of the most interesting of the gods to do so. That would have been something I may have enjoyed even more.

Recommended for readers who adore Loki. There’s plenty of him in here, and that’s it.

Norse Goddess Magic: Trancework, Mythology, and Ritual by Alice Karlsdóttir

This is a new age, non-fiction book about trance work, which can loosely be described as deep meditation. I practice a type of meditation called “pathwalking” which is basically just another word for the same kind of practice. This book is about someone who focuses on the Norse religion exclusively.

I read Norse Goddess Magic not for the details about the Norse pantheon (which admittedly I know very little about, so it was very interesting and educational) but mainly for the author’s experience in trance work. To my disappointment, she spends pages and pages explaining what going into trance is, how she does it, and then only a few paragraphs in each chapter detailing an actual trance.

I wanted the book to be mainly trance work. That is what made it unique and original- her personal sojourns into “another world” and what she brought back. The rehashing of all of the old mythologies were, as I said, interesting, but if I wanted to read them, I could have picked up any book about Norse mythology.

I also felt like Alice spent a lot of time explaining why trance work is a valid method of information gathering and defending her opinion on why she believes that. I agreed with her completely so I just read through the pages thinking- preaching to choir, get to the trances! So, that was a frustration.

A part of the book that I disagreed with was Alice’s assertion that it is “difficult” to go into trance. In my experience, if you believe something is difficult to do be that hypnosis, meditation, whatever- you’re putting stumbling blocks on your path that don’t need to be there. Going into trance is as simple as watching your breath flow in and out. If you breathe, you can go into trance. I felt like she did a disservice to beginners with that particular teaching.

I felt like Alice’s trances were so closely focused on one goddess or aspect of the goddess, that she didn’t really get all that she could out of her trance work or interactions in the other worlds. She read all of this information to prime her subconscious mind and then… it felt like not much happened.

To be fair, she did see the person she was looking for, describe their physical characteristics, express the emotion that they evoked in her, and then, maybe, have a brief interlude with them. In my personal trance work, there’s more interaction in the world itself but that could be the difference of our focus.

Alice said from the start that she wanted to know more about these different goddesses and form a working relationship with them whereas I’m just curious to see what’s out there. I’ve run into Roman gods and goddesses, Native American figures, Tibetian locations, some Egyptian and Hindu gods… but again, I’m not focused on one or another of the world religions. With an open mind, it’s incredible the types of things that you see.

So, I don’t believe in priming your mind with symbols before you do your work. Pick where you’re going or who you want to see, and just go. Personally, I use the symbols on the Tree of Life or tarot cards. Believe that you can do it. Figure out what works for you. And do it.

Then write it down so that I can read it. 🙂 Because I will.

Thanks for reading!

The Motion of Puppets by Keith Donohue

The Motion of Puppets is a clever play on an ancient Roman myth.

Orpheus was a musician who was so talented he could charm the birds from the sky and make the forest spirits weep. He madly loved a woman named Eurydice.

One day, she stepped on a serpent and died. Orpheus nearly lost his mind out of grief for her. So, he made his way to the underworld to beg Lord Hades for his bride.

Orpheus plays such sweet music that Persephone weeps and Hades allows the bard to take the shade of his dead wife back to the living world. There’s one condition, he can’t look back to see if she’s following.

I think we all know what happened then. This book takes that tragedy and places it in the modern world.

Everything is fine until Theo’s wife, Kay, goes missing. “She should be more responsible, should know that he would worry, but he could hear her laughing it off when she came home. You’ll give yourself ulcers, she’d say. You fret too much. I just went out for croissants.” pg 18

He assumes she stumbled into the bed of one of her coworkers and is sleeping off a hangover. But the truth is much worse.

Kay has been transformed into something else, something magical and monstrous. “We lucky few can move about as long as the people are not watching. Midnight to first light, we are free.”pg 41

She is trapped in a metaphorical “underworld,” ruled over by an ancient power and his minions. “You cannot go home,” he said. “You cannot ever leave the Back Room.” pg 76

Even if Theo can figure out where she’s gone, how on earth will Kay go back to the shape she had before?

Keith Donohue has crafted a clever and haunting novel, putting a horror-tinged lens on the myth.

“And, besides, let me tell you a secret: all art needs a little sadness in it, a small tragedy to balance the human comedy.” pg 111

Like Moulin Rouge, Baz Luhrmann’s musical take on Orpheus and Eurydice, the elements of the original story are in both works of art. I think The Motion of Puppets is more weird and other-worldly.

To truly enjoy this tale, you have to be willing to believe in magic.

Highly recommended for readers who like twists on mythology or not-too-terrifying horror stories.

If you like mythological re-tellings, you may also enjoy The Snow Child or Circe.

Thanks for reading!

Sleepless Knights by Mark H. Williams

Arthur and his knights have lived on in a real, not metaphorical, way and are continuing the quest Arthur began when he founded Camelot. Sir Lucas, Arthur’s butler, is still performing the services he gave in ages past. Cooking food, cleaning clothes, sharpening swords, hiding bodies… you know, usual butler stuff.

“Get rid of the body. Like you did last time.” “Last time, Sir Kay, was just over a hundred years ago.” “So?” “Such matters are not as… straightforward as they once were.” pg 10

And, as time passes, his life has gotten much more complicated. However, Lucas, and the others, continue on, because they have bound their eternal lives to the quest.

“I, Knight of the Round Table, swear loyalty to my fellow Knights, and to uphold the code of our glorious and Eternal Quest. An eye for unrest. A sword to the tyrant. A shield for the weak. To never lack in courage, mercy, generosity and grace. In the name of Almighty God and the King.” pg 44

This tale, a twist on the Arthurian legends, has humor and heart. I enjoyed it a lot.

Photo by Csongor Kemu00e9ny on Pexels.com

“Behold – Excalibur,” she said. As she did not immediately offer it to me, I beheld it for what I hoped was an appropriate interval. pg 103

Sleepless Knights would probably be most appreciated by readers who know, at least a bit, of the mythology of King Arthur and his knights. But I don’t think it’s absolutely necessary to enjoy the story.

I think this book is appropriate for ages spanning from young adults to the young in spirit.

Thanks for reading!

Circe by Madeline Miller

Circe is an epic fantasy that reads like a historical fiction novel, based on the Greek mythology of the witch of Aiaia, the daugher of a Titan- Circe.

I minored in the classics at university and one of my favorite classes was mythology. I love taking apart stories that mirror humanity’s foibles and try to explain the origin of some of life’s harder truths.

In the war between the Titans and the Olympians, a creation story that could be interpreted to mean the ascension of modern culture over more ancient superstitions, the Olympians triumph. But the Titans are not wiped off the face of the earth.

“Beneath the smooth, familiar face of things is another that waits to tear the world in two.” loc 272, ebook.

Some of the Titans’ powerful and mysterious children play central roles in the great mythological stories. Circe is one of those.

“They called me nymph, assuming I would be like my mother and aunts and cousins. Least of the lesser goddesses, our powers were so modest they could scarcely ensure our eternities. We spoke to fish and nurtured flowers, coaxed drops from the clouds or salt from the waves.” loc 102, ebook.

She began her life in the halls of Helios, a Titanic deity who was a god of the sun, much like Apollo.

“At my father’s feet, the whole world was made of gold. The light came from everywhere at once, his yellow skin, his lambent eyes, the bronze flashing of his hair. His flesh was as hot as a brazier, and I pressed as close as he would let me, like a lizard to noonday rocks.” loc 158, ebook.

Compared to her great father and gorgeous, manipulative mother, Circe was nothing- one of the many faceless children of the greater gods, whose future was destined to be a wife and then mother to more godlings.

Circe’s future is not as simple as all that.

She, and her brothers and sister, have a unique power that no other gods possess. They have the ability to harness the plants and power of the earth, to create potions and salves with miraculous effects. They call it: pharmakeia.

Modern readers can recognize the roots of the word “pharmacy” in the name.

“Pharmakeia, such arts are called, for they deal in pharmaka, those herbs with the power to work changes upon the world, both those sprung from the blood of gods, as well as those which grow common upon the earth.” loc 909.

It is a power no one understands and, because of its mysteriousness, it makes even the gods afraid.

There is more to Circe’s story than pharmakeia. She also interacts with Hermes, Daedalus and Odysseus. She creates a god and a monster. She shakes the foundation of the oceans.

Highly recommended for those who enjoy mythology or historical fiction. It will transport you to a world where gods and goddesses walk the earth and humanity can do nothing but tremble in their shadows.

Thank you to NetGalley and Little, Brown and Company for an advance, digital copy of this book.

Thanks for reading!

Passport to Magonia: On UFOs, Folklore, and Parallel Worlds by Jacques F. Vallée

Jacques F. Vallee was one of the first scientists to closely study UFO phenomenon. He goes beyond a simple examination and compares it to the fairy religions and mythologies from the past. Passport to Magonia is one of his most well-known works.

Vallee also mentions, in the new preface that he wrote for the book in the early ’90s, of the difficulties that he had compiling the thousands of eyewitness accounts that are included in Passport to Magonia. I suppose with the easy connections to the internet that are available now, that I hadn’t considered how laborious it would be to gather all of that information together in the time before computers.

At the very least, Passport to Magonia can be admired for its thoroughness in the section: “A Century of UFO Landings.” It is approximately 150 pages of account after account of UFO encounters. The amount of information, types of witnesses and manner of UFO phenomena is truly mind-boggling.

Some of the standout examples for me are: Juan Diego’s tilma and the sky anchor that was left behind in 1211 a.d. at a church in Cloera, Ireland. And, Aleister Crowley’s run in with two gnomes or aliens.

Vallee cites the book, Magick Without Tears, for the Crowley experience. It makes me so curious- I may just have to look into it.

So many of these accounts are beyond belief, which makes for great reading, but which Vallee reminds the reader, cannot be taken at face value.

He reminds us of our inability to understand the accounts even as he seeks to understand them. Futility, thy name is Passport to Magonia?

Photo by Felix Mittermeier on Pexels.com

Readers who enjoy UFO literature will probably enjoy this classic book. Vallee doesn’t provide the answers, but he has crafted a framework for UFO exploration beyond the usual acceptance or denial of a puzzling and reoccurring phenomena.

Thanks for reading!

The Help Desk Book Blog

Sharing reviews and deep thoughts about life.

Category: Mythology

The Blue Salt Road by Joanne M. Harris

ODY-C: Cycle One by Matt Fraction

The Testament of Loki (Loki, #2) by Joanne M. Harris

The Gospel of Loki (Loki #1) by Joanne M. Harris

Norse Goddess Magic: Trancework, Mythology, and Ritual by Alice Karlsdóttir

The Motion of Puppets by Keith Donohue

Sleepless Knights by Mark H. Williams

Circe by Madeline Miller

Passport to Magonia: On UFOs, Folklore, and Parallel Worlds by Jacques F. Vallée

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