The Lies of Locke Lamora (Gentleman Bastard, #1) by Scott Lynch

In The Lies of Locke Lamora, readers are introduced to Locke, an orphan in a fantastical city with magical glass relics the size of entire city blocks. The glass is all that was left behind by the people who founded the city. Its inhabitants now do not understand how it was constructed, but that doesn’t keep them from utilizing the spires of magic glass or appreciating its otherworldly beauty.

Within this strange city that is similar to our world’s Venice, yet so different, Locke Lamora is taken in by various characters in the realm’s criminal underworld. The boy shows promise for a life of theft and confidence games… if he can reign in his propensity for accidentally getting people killed.

“At the height of a long wet summer of the seventy-seventh year of Sendovani, the Thiefmaker of Camorr paid a sudden and unannounced visit to the Eyeless Priest at the Temple of Perelandro, desperately hoping to sell him the Lamora boy.”

There are layers to this tale. There’s intrigue and backstabbing among the criminal underworld or those who call themselves, “the right people”. There’s a gang of criminal masterminds, the Gentleman Bastards, who prey on the city’s upper class citizens, but who pass themselves off as simple sneak thieves to the rest of the gangs.

And while Locke’s gang, the Gentleman Bastards, are running one of the biggest cons of their life, the chapters of that storyline are interspersed with the personal histories of the gang’s members. Part of that history includes the Gentleman Bastards’ training as priests of the various orders in the city, of which there are many.

So, to recap: there’s complex religion, city hierarchy, criminal hierarchy, levels of con games, and then the real story begins when Locke’s plan, as usual, begins to go sideways.

“I ache in places I didn’t previously realize I owned,” said Locke, gingerly applying adhesive paste to his chin with his fingers. “But it can’t be helped.”

I first read The Lies of Locke Lamora eight years ago in March 2012. I recently re-read it in May 2020. To my surprise, I enjoyed it somewhat less the second time around.

I still like the characters, the story and the setting, all of which were beautifully written. My complaint was the pacing. Just as the author gets rolling on the main story line, he draws us back into the past. I didn’t seem to mind it the first time I read the book, but I definitely noticed it in the second reading.

But don’t let a small thing like pacing dissuade you from reading The Lies of Locke Lamora. It is an awfully entertaining fantasy read. And if I remember correctly, the next two books in the series are fun as well.

Echopraxia (Firefall, #2) by Peter Watts

Peter Watts returns readers to the dystopian world of Firefall with Echopraxia, the second novel in the series.

Meet Daniel Bruks, an outcast biologist with a secret. He’s struggling to continue with his scientific studies in a world that has ceased to make sense after the alien contact in Firefall.

“The Theseus mission would be well past Pluto by now. If it had found anything, Bruks hadn’t heard about it. For his part, he was sick of waiting. He was sick of life on hold, waiting for monsters or saviors to make an appearance. … He wished the world would just hurry up and end.” pg 15

His life quickly changes when he finds himself herded into an esoteric and technologically advanced cult’s desert compound while they’re under attack from weaponized zombies. (It makes more sense when you read it, I promise.) What follows is an exploration into the realms of religion, technology and faith.

“One day you’re minding your own business on your camping trip…” “Field research.” “… the next you’re in the crossfire of a Tran war, the day after that you wake up on a spaceship with a bull’s-eye painted on its hull.” “I do wonder what I’m doing here. Every thirty seconds or so.” pg 81

The same microscopic lens Watts used to take apart consciousness in the last book, he applies to a totally different topic, religion, in this one and it doesn’t quite work.

He doesn’t take any time to introduce readers to some of the more far-out concepts from the last book. If I had dived into Echopraxia without reading Firefall, I would have been totally lost. And as it was, I certainly was confused by the end.

Where the last book was a space and science adventure, this one is a journey, both metaphorical and physical. The threats along the way are somewhat as scary, but the characters aren’t as well-fleshed out.

Maybe I was spoiled in the last book because I really enjoyed Siri, the narrator’s, character. Daniel Bruks is more difficult to love.

But it’s not just the characters. The science of the last book was more connected to the story line. In this book, it almost felt like a tacked-on after thought.

And as hard as I tried to put the pieces together, the ending never quite made sense. I put some serious thought into it too. It’s one thing to leave an ending somewhat ambiguous so the readers can hash it out, it’s another to give almost no clues at all.

That’s not to say Watts isn’t brilliant, because he is. However, if you have the choice between reading Firefall or Echopraxia, I would suggest the former rather than the latter.

Blindsight (Firefall, #1) by Peter Watts

Blindsight is an incredibly imaginative science fiction novel that takes on the foibles of human consciousness and examines, in a serious way, what an alien-form of consciousness might look like.

Siri is a unique protagonist. Because of severe seizures when he was young, doctors performed dramatic brain surgery in order to save his life, essentially cutting his brain in half.

“The brain’s a very flexible piece of meat; it took some doing, but it adapted. I adapted.” pg 9, ebook.

This early surgery changed the way Siri’s brain worked and how it processed reality, making him the perfect translator for other humans whose brains and bodies have been so changed that baseline humans can no longer communicate with them.

And Siri’s special talents are desperately needed after aliens unleash surveillance technology in the atmosphere. Humanity called the strange lights in the sky, “fireflies.”

“How else would you explain 65,536 probes evenly dispersed along a lat-long grid that barely left any square meter of planetary surface unexposed? Obviously the Flies had taken our picture.” pg 24, ebook.

Siri becomes part of an elite mission sent by Earth to discover where the “fireflies” originated from and who or what created them.

Blindsight isn’t a simple read. It proposes complex ideas that demand some attention to unravel and it makes the reader consider how real is her own perception of this thing we call “reality.”

It asks how technology may change not only how humankind takes in information, but how that information is interpreted and how that would separate people from each other. The characters Peter Watts has created for the alien-seeking mission are some of the most unique I’ve read because he takes those ideas to extreme conclusions.

“When the fate of the world hangs in the balance, you want to keep an eye on anyone whose career-defining moment involves consorting with the enemy.” pg 135, ebook.

But it feels very real. That is Watts’ strength – making the fantastical seem perfectly logical like vampires, real vampires.

Highly recommended for readers who enjoy “hard” science fiction.

The God Engines by John Scalzi

In the world of The God Engines, beings called gods power the ships that take humanity between the stars. How the world became this way is not for Captain Tephe to question, instead it is a matter of faith. As part of Tephe’s service and devotion to his own deity, he has to keep the being that powers his engine in check and subservient to his will.

That is not a simple task.

“I do not know why this is. Why single made iron can kill a god. I know only that it can. I know the gods fear death more than do men. I can kill you with this, god.” pg 8, ebook

When Tephe is called to perform a secret mission of great importance for his deity, it throws his entire world view in jeopardy. He discovers his god, and all the others, may not be what they appeared to be.

“Words. They have power. To name a god is to give it power. To deny it such is to take it.” pg 16, ebook

I feel like this story was too short to fulfill its full potential. The general idea was very promising – what would a world where embodied gods were used as power sources look like? How would the society be structured? And how would a worshiper’s faith change or be challenged through day-to-day interactions with the gods?

The plot felt rushed as the characters raced from one place to another. I also wanted a bit more background about the universe of The God Engines, but the lack of it added somewhat to the mystery of the story.

“You are charged with silence,” proclaimed the third Bishop. “What is spoken to you here is not to be spoken again, on remit of your soul.” pg 31, ebook

I think the strength of this story is in how it addresses faith. Faith in the goodness of the unseen shapes lives and guides actions. It explains why some gods power ships and others rule empires. Because of faith, humanity has waged wars and conquered planets.

Perhaps someone should have made certain this faith wasn’t misplaced…

Recommended for readers who enjoy short science fiction novels with a liberal dash of horror.

Peanuts Treasury by Charles M. Schulz

Some works of fiction, after enchanting countless readers, become classics, a touchstone of culture for generations. I would submit “Peanuts”, created by Charles Schulz, as one of these classics.

The existential struggles of the boy named Charlie Brown, the adventures (real and imagined) of his beagle, Snoopy, and the rest of the Peanuts gang, seem timeless.

Charlie Brown wants to fly his kite, but it is always getting “eaten” by the “kite-eating tree.” He pitches for a baseball team that never wins. He tries to kick a football, but it is always removed at the last moment.

And yet, Charlie Brown soldiers on.

I first read Peanuts in dusty paperback books kept in the spare bedroom at my grandparents’ house. Through lazy Sunday afternoons or the occasional sleepover, I learned the names of all the Peanut characters and their defining traits.

My favorite was Schroeder, the virtuoso on his tiny piano. I even had a watch with piano keys on the plastic band and Schroeder on the watch face, pounding out his music as the second hands ticked by. I loved that watch so much – I wore through the plastic wristband, replaced it, and wore through it a second time.

When I read Peanuts Treasury, it transported me back to a time when my biggest concern was finishing my homework before the end of the weekend and to a sense of comfort that family members who loved me were just in the next room. It was a nice escape from the current reality, where my biggest concerns seem so impossibly out-of-my-hands and loved ones are all in their separate spaces.

Recommended for readers who are looking to spend a few hours away from this world and in the life of a boy who never succeeds and never ever gives up.

Absolution Gap (Revelation Space, #3) by Alastair Reynolds

Alastair Reynolds ends his space opera trilogy with Absolution Gap. Many of the characters from the last book are desperately fighting the Inhibitors, but humankind seems to be losing the war. In a final hail Mary, the Conjoiners and a new member of their race seek a distant star system where a planet seems to disappear and the phenomena is worshiped by a group of fanatics led by a prophet with religious fervor literally in his bloodstream.

For a fraction of a second something inexplicable had occurred. A sensor anomaly. A simultaneous hiccup in every sensor that happened to be observing Haldora as the ship made its approach. A hiccup that made it appear as if the gas giant had simply vanished. Leaving, in its place, something equally inexplicable.” pg 54

Reynolds weaves two main story lines together to create an adequate, but perhaps not entirely satisfying, ending. The science in his books is impeccable. But, like in my previous reviews, I wanted a bit more from the characters.

“Are you all right, sir?” he had asked. Clavain had looked at him sharply. “I’m an old man,” he had replied. “You mustn’t expect the world of me.” pg 77

Readers have come to care about Clavain, Anoinette Bax, Scorpio, and the myriad others characters in this world. The endings given to them are, in my opinion, abrupt and almost given as an aside.

But some of Reynolds writing is simply beautiful and it makes up for a variety of quibbles I had with the story telling.

“It was quiet now, but coming nearer, and he knew that when it reached its awesome crescendo it would fill his soul with joy and terror. And though the bridge looked much the way it had before, he could see the beginnings of stained-glass glories in the black sky beyond it, squares and rectangles and lozenges of pastel light starting to shine through the darkness, like windows into something vaster and more glorious.” pg 100

The broader themes are worth considering as well. What would happen to the human mind if the body becomes essentially immortal? Why does it seem like we’re so alone in the universe when there are so many inhabitable planets? What would advanced technological warfare look like? How would technology and its awesome capabilities change society, our modes of transport, and us?

“Brane theory suggested that the universe the senses spoke of was but one sliver of something vaster, one laminate layer in a stacked ply of adjacent realities. There was, Quaiche thought, something alluringly theological in that model, the idea of heavens above and hells below, with the mundane substrate of perceived reality squeezed between them. As above, so below.” pg 286

Recommended for science fiction readers who want to ponder those types of questions.

All the Forgivenesses by Elizabeth Hardinger

From the front of the book: “As we know, forgiveness of oneself is the hardest of all the forgivenesses.” – Joan Baez

Bertie, the heroine of our tale, was the eldest girl born in a family of nine in rural Kentucky in the early 19th century. Because of her gender, her mother taught Bertie everything about keeping house and how to care for children, which Bertie ended up doing all the time to the detriment of everything else, including her education.

“We was living in the Appalachian hills in southeast Kentucky, but I didn’t know that then. It was just the place where we lived at. For all I knowed, it was the whole world.” pg 5

An early childhood tragedy cements in Bertie’s mind that she is unworthy of the trust and scant love her mother gives to her. She carries that burden in her subconscious mind throughout the tragedies that follow and it shapes everything in her life.

Elizabeth Hardinger has penned a beautiful historical fiction novel about family, secrets, struggles and the life-saving power of forgiveness, not just for yourself but for everyone around you. The characters in this book are complex and so flawed that sometimes I wanted to reach into the pages and hug them until they came to their senses.

That’s how you recognize an extraordinary author, they make you care.

“If you was a bawl-baby, you got shamed, you got teased, or people just ignored you like you’d embarrassed yourself, which I reckon bothered me the most of all. … So you learned to hide your feelings or wait till you was out behind the barn and nobody could hear you.” pg 8

Photo by Kristina Paukshtite on Pexels.com

The culture examined in All the Forgivenesses is rural, impoverished and male-dominated, mainly because of the time period. The reader is able to juxtapose Bertie’s tragic situation with her best friend Alta Bea, the daughter of a wealthy banker.

“For sure I hadn’t never met nobody like Alta Bea. I never knowed nobody that had that look in their eyes like she could see into you. It made a person tired and jangled, like somebody was shining an oil lamp in your eyes, but it also give you a feeling of glittering, fluttery things you couldn’t hardly not look at.” pg 52

The girls’ friendship is strained at times and built upon a foundation of mutual loneliness, though Bertie has little to no time in her day-to-day routine to just be a person. It’s fascinating to watch the two characters develop from children to adults and the character traits they drag along with them as well as the ones they leave behind.

The vernacular of All the Forgivenesses was distracting for a page or two, but it started to flow for me after that. I appreciated Hardinger’s skill in making Bertie’s rough-edges part of the story. She’s such a relatable character. You know she wants to live her own life, but with her family’s situation, she just can’t. And yet, for the most part, she loves them anyway.

“Read it, Bertie, you’ll like it,” she said. Hearing somebody use my name – and not to curse me out or ask me for something – I confess that made me glow a little bit.” pg 67

Photo by Andrea Piacquadio on Pexels.com

Highly recommended for readers who enjoy historical fiction or as a book club pick. My book club chose this and we had plenty to talk about – from gender roles to romance to families. Not everyone liked it as much as I did, but I absolutely loved the characters, Bertie being the top of my list.

And I do agree with the opening quotation of this book, “to forgive yourself can be the hardest of all the forgivenesses.” Funny that we, like Bertie, find it easier to extend that to others than to ourselves. I wonder what that ultimately says about us.

Redemption Ark (Revelation Space, #2) by Alastair Reynolds

In Redemption Ark, we return to the universe of Revelation Space in the second book of Alastair Reynolds’ science fiction series. Some of the characters readers will recognize, others are new. As usual, we are treated to Reynolds’ prodigious talent when it comes to heaping helpings of the science part of science fiction.

Those are the best parts of this book: the futuristic space battles and the mysterious machinations of the Inhibitors, machines designed by an alien intelligence to wipe out civilizations that develop the technology to travel among the stars. For the reasoning behind this decision, you’ll have to read the book. 🙂

They had never encountered another extant machine-using intelligence, nothing to measure themselves against. Until now. And what this machine-using intelligence did, so it seemed, was stalk, infiltrate and slaughter, and then invade skulls. pg 7

Humanity has divided itself into distinctive groups during its expansion into space, one of the most notable of these being the Conjoiners, a technologically advanced society that has linked its digital implants in a sort of hive mind. This link created a sort of “enlightenment” and connected the Conjoiners together in ways that aren’t quantifiable by those outside of the group.

“Down at the very deepest level Skade detected a few partitioned private memories that he did not think she could read. For a thrilling instant she was tempted to reach in an edit the man’s own blockades, screening one or two tiny cherished memories from their owner. Skade resisted; it was enough to know that she could.” pg 30

However, not everyone wants to allow the neural Conjoiner implants for fear of the loss of autonomy or privacy (see above) and embrace a more Luddite view of technology. This limited use of technology was pushed further by the appearance of a “melding plague,” an alien infestation that invades technology in an organic manner and consumes it, creating something else.

As you can tell from my rambling, Reynolds has created a universe populated with fascinating cultures, technologies and relationships. My main quibble with this book, as it was with his last, is his seeming inability to write about emotions. The extraordinary breakthrough of the Conjoiners was intimately connected to emotion and sharing it in a way that was impossible prior to the neural implants- an evolution of mankind. Reynolds puts all that depth into one or two lines of one paragraph of the book, which was fascinating to me, but also infuriating.

“Once you’ve touched someone else’s mind, walked through their dreams, seen the world through their eyes, felt the world through their skin… well… there never seemed to be any real need to go back to the old way.” pg 528

He could have written a whole book about that one idea if he wanted to- I’d read it.

Another issue I had was the conclusion, which I won’t spoil for anyone here, but he writes it as almost an afterthought. For more than 500 pages, he built to this spectacular conclusion, which he then tossed away.

I was so mad.

On the other hand, he sets up the next book in the series beautifully, which must have pleased his publisher.

Highly recommended for science fiction readers. There are few who write the science better than Alastair Reynolds, but don’t expect too much in the way of emotional depth or exploration.

Revelation Space (Revelation Space, #1) by Alastair Reynolds

Through the interweaving stories of a scientist, soldier, and weapons expert, Alastair Reynolds explores classic science fiction themes in Revelation Space, a space opera and mystery.

“Despite being buried for nine hundred thousand years – at the very least – the chambers were almost intact, with the bones inside still assuming a rough anatomical relationship to one another. They were typical Amarantin skeletons.” pg 11, ebook

Nearly a million years previous, an entire species called Amarantin disappeared in a mysterious celestial-based disaster called, by those who study the geological record, “The Event”. Dan Sylveste, a scientist with unique machines for eyes, is trying to unearth the truth of what happened to them.

Khouri, a former soldier turned assassin for a semi-secret agency, goes on a routine assignment, only to have the experience turn into something entirely unexpected.

“Assassins, it turned out, had to be among the sanest, most analytic people on the planet. They had to know exactly when a kill would be legal – and when it would cross the sometimes blurred line into murder and send a company’s stocks crashing into the Mulch.” pg 45, ebook

Meanwhile, on an enormous space ship capable of traveling across the universe at nearly the speed of light, Volyova has a serious problem. Her captain has a strange disease that is assimilating his ailing body into the ship itself and the man she hired to run the ship’s guns has gone insane. Could these two disasters be connected somehow?

“It was not something to which she was ever going to become totally accustomed, Volyova knew, but in recent weeks visiting the Captain had begun to take on definite tones of normality. As if visiting a cryogenically cooled corpse infected with a retarded but potentially all-consuming plague was merely one of life’s unpleasant but necessary elements…” pg 35, ebook

Throughout the story, Reynolds asks the reader to imagine a humanity that has split itself into factions. Some groups travel among the stars, assimilating rare machines into their bodies, losing touch with what it means to be human as they spend years in frozen animation while the rest of the universe ages as usual.

Other groups are just as isolated on far-flung planets and develop their own cultures, ways of government, and quickly-shifting alliances.

Photo by Felix Mittermeier on Pexels.com

Also, through the story of the extinct Amarantin, Reynolds examines what it would mean if humanity discovered aliens were real, but mysteriously absent from huge swathes of what is otherwise inhabitable space. Are we really as alone in the universe as we appear to be? And why is that so.

“Something had reached into his mind and spoken to him. But the message that was imparted to him was so brutally alien that Sylveste could not begin to put in human terms. He had stepped into Revelation Space.” pg 100, ebook

The broad themes of Revelation Space are fun questions to ponder, but Reynolds’ storytelling suffers in some of his more technical moments and during a truncated love story. A couple times during the beginning of the book, I had difficulty picturing scenes because I would get so bogged down in the details. But that became easier as the story progressed.

The love story though, was one of the worst I’ve read in science fiction literature. It made me feel like the woman was just a plot device for Reynolds to be able to explain some of the more complex plot twists. That’s fine if that’s what she was meant to be, but it was rather off-putting. I do enjoy a good love story and felt like, if you were going to make it so awkward, maybe it didn’t belong in there.

Otherwise, I enjoyed this read and intend to start the next soon. Highly recommended for readers who enjoy science fiction and stories that make you want to go stand outside and stare at the stars for awhile.

The Help Desk Book Blog

Sharing reviews and deep thoughts about life.

Category: Fiction

The Lies of Locke Lamora (Gentleman Bastard, #1) by Scott Lynch

Echopraxia (Firefall, #2) by Peter Watts

Blindsight (Firefall, #1) by Peter Watts

The God Engines by John Scalzi

Peanuts Treasury by Charles M. Schulz

Absolution Gap (Revelation Space, #3) by Alastair Reynolds

All the Forgivenesses by Elizabeth Hardinger

Redemption Ark (Revelation Space, #2) by Alastair Reynolds

Revelation Space (Revelation Space, #1) by Alastair Reynolds

Menu

Sharing reviews and deep thoughts about life.

Share this Blog:

Share this Blog:

Share this Blog:

Share this Blog:

Share this Blog:

Share this Blog:

Share this Blog:

Share this Blog:

Share this Blog:

Menu