Black Sun (Between Earth and Sky, #1) by Rebecca Roanhorse

Black Sun is a fascinating fantasy novel that examines religion, ritual, prophecy, and how all of those variables affect civilization and the balance of power between groups within that civilization.

“Just like their great ancestor, I have swallowed the shadow of the sun. They call me Grandfather Crow sometimes, although I am not so old.”

Much has already been said about Rebecca Roanhorse’s characters in Black Sun, which are phenomenal, so I will only add to the discussion by saying how much I enjoyed the differences that she created between the various cultural groups of this fictional world. I also liked how she built the hierarchies within the cities, especially Tova.

“It is said that thousands of years ago our world was once populated with gods. They are our ancestors. But there was a great war, the God War, and many were killed. Those who were not killed in the war began to die anyway.”

This spring, I took a course from Oxford University about ritual and religion in prehistory and it not only changed the way I view the role of religion within the creation of civilization, it also changed my analysis of books that contain religious themes, like this one. Matters of faith and spirit aside, there are compelling reasons to believe that religion started as a method of maintaining power and control within groups in prehistory.

Roanhorse’s work shows these connections clearly. There’s hints of a bloody night filled with warriors who set out to exterminate a particularly warlike cult for, what they say is, the good of all the other groups. The priestly-class carefully constructs rituals and remembrances to not only mark the passing of time and powerful individuals but also to demonstrate their enduring power over the groups they claim to represent.

The mysterious figure, Serapio, is manipulated from birth to fulfill a role that no one tells him about because of a specific prophecy of the Carrion Crows. The Sun Priestess Naranpa has difficulties holding her office because of the poverty of her birth family will always make her an outsider among the more privileged classes who traditionally gave their sons and daughters to the priests.

There are more examples of power struggles throughout the story and I don’t want to ruin anyone’s enjoyment of discovering them. Those were a few that came readily to mind.

So, in addition to being an immersive fantasy read, Black Sun is also semi-educational about the potential development of religion in prehistory.

All that being said, and as much as I loved the character and plot development, I didn’t like the ending. No spoilers here though.

Thank you to NetGalley and the publisher for a free advance reader copy of this book.

Or What You Will by Jo Walton

Or What You Will is a unique fantasy novel about a writer, one of her fictional characters, her real life, a final story she is writing, and her love affair with the city of Florence.

“I have been a character, and I have been a narrator, but now I don’t know what I am.” pg 8, ebook.

Told from the point of view of a character inside another character’s mind and between flashbacks to real life and an on-going fictional story-within-the-story, Or What You Will sounds quite complex. But once I got into the flow of it, I enjoyed this quirky tale quite a lot.

“Readers remember you. So you’ll live on in the books. It’s the only form of immortality the real world has.” pg 53, ebook.

I loved learning about Sylvia (the fictional writer’s) life, loves, and writing process. Part of its charm is that this is a meta-filled book for readers who love the process of writing and the development of characters. It is also filled with surprising and entertaining tidbits of real history about Florence which appealed to the amateur historian in me.

There was plenty to enjoy in Or What You Will. My quibble with the book has to do with its ending.

After meticulously building an immersive world, or two, the author unceremoniously ends the story in a few paragraphs.

It was incredibly disappointing, especially when you consider the book is only 226 pages long (ebook). She had room to do more. In fact, I could have stayed in the world she created for twice as many pages.

That being said, the last few pages of the book made me cry. So, perhaps it was a satisfying ending in its way. I just wish it had been developed more fully.

Other than the ending, this is a brilliant and totally unique story, unlike anything I’ve ever read. If you like Jo Walton’s other fantasies, you may want to give it a try.

Eragon by Christopher Paolini

Eragon follows the exploits of a boy, a dragon, and their fight against an evil king, and his henchmen, who would plunge the world into darkness.

Prophecies of revenge, spoken in a wretched language only he knew, rolled from his tongue. He clenched his thin hands and glared at the sky. The cold stars stared back, unwinking, otherworldly watchers.” pg 14, ebook

Though it is written for children, Eragon is a charming tale that I thoroughly enjoyed as an adult reader. The pace was snappy, the characters were written quite well, and the story itself was a fun, adventure and fantasy.

“Eragon found the stone both beautiful and frightening. Where did it come from? Does it have a purpose? Then a more disturbing thought came to him: Was it sent here by accident, or am I meant to have it?” pg 16, ebook

I did a little research about the author, Christopher Paolini, and was surprised to discover that this was one of the first books he published and he was in his teens when he wrote it. How impressive is that?

“Dragons will constantly amaze you. Thing… happen around them, mysterious things that are impossible anywhere else.”

There were a couple things I didn’t enjoy about Eragon, but they didn’t ruin my appreciation for the overall story. For example, I wanted Saphira the dragon to have a different personality. She has some character traits that I felt were incongruous with how an immensely powerful, magical being would act.

When I think carefully about it, what a silly quibble to have with a story based in fantasy. But readers will have their preferences, and I like to picture dragons as either wise and benevolent, Buddha-like beings or demonic treasure hoarders along the lines of Smaug.

Paolini’s version of them is different from both of these extremes. He makes dragons fallible, like humans. Which, at the end of the day, makes this a better story for children. A lesson like, even the most powerful among us can make mistakes or experience unpleasant emotions like jealousy, is a good lesson to learn.

“These books are my friends, my companions. They make me laugh and cry and find meaning in life.” pg 153, ebook

Highly recommended for young adult fantasy readers or the young-at-heart.

The Hollow Places by T. Kingfisher

Kara is going through a hard time and is grateful for a chance to help out at her Uncle Earl’s museum. She has always loved it there.

“Nobody ever believes me when I tell them my uncle Earl owns a museum. They start to come around when I explain that it’s a little tiny museum in a storefront in Hog Chapel, North Carolina, although there’s so much stuff jumbled together that it looks bigger than it is.”

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But when Kara and Simon, the barista next door, attempt to repair a hole in the wall of the museum, they discover a hallway that shouldn’t be there.

“Frankly, I wasn’t even sure what you were supposed to do when you had an impossible hallway in the walls. Did you call the police to report that the laws of time and space were getting broken?”

What lies beyond the hallway? Kara and Simon are going to find out, and their lives are never going to be the same.

First, I am not a big fan of the horror genre. But, The Hollow Places, is horror done the way I like it best.

There’s an unknown world with as-yet unknown dangers. The story is one of exploration and carefully-crafted reveals so you feel as if you’re on an adventure.

The characters are fantastic. Kara and Simon are people I would walk down a mysterious and magical hallway with, no question.

The author slowly builds the tension of the story so, for the most part, the main emotion the reader feels is a growing sense of dread. It’s an emotion a reader with an anxiety disorder (like me) is familiar with and there’s something very satisfying about having that feeling validated and then resolved.

I believe life rarely gives the same kind of closure.

The voice of the main character, Kara, is down-to-earth and, occasionally, quite funny. I liked how the author gave her all sorts of relatable, every-day type problems and then, once the story started rolling, she re-evaluated the importance of issues that would have caused her major headaches prior to her life-changing experience.

I could see myself doing the same sort of thing if I was in her shoes.

The Hollow Places contains some nightmare-inducing moments but nothing I considered gratuitously violent. There’s some mild sexual references in the banter between the two main characters. This book might work for older teens who are looking for a spooky October read.

Highly recommended for readers of horror or who like their fantasies to have some thrills and chills.

Thank you to NetGalley and the publisher for a free digital copy of this book.

Hush (Hush, #1) by Dylan Farrow

In the world of Hush, ink, the suspected origin of a deadly plague, has been declared the enemy of humankind and outlawed. The keepers of the law, High House and its magical soldiers called bards, roam the world, rooting out those who break the law and rewarding those who bend to their will.

“Our history shows that vigilance and caution are tantamount to survival. Burn the ink from the page. Turn away from forbidden words, toxic tales, and deadly symbols. Cleanse the country of this malignant blight. Join us.”

Shae lost her brother to the mysterious plague early in her life and her family has been outcast from her small village since. When tragedy once again darkens her family’s doorstep, what will Shae do not only to seek justice for her brother but, potentially, the whole world?

The premise of Hush had some interesting ideas, but this debut, young adult novel suffers from wooden characters and predictable plot twists.

“The Bards arrive today.” The Bards. Suddenly I feel as though the house has been encased in ice. The town elders say there’s power in words- that certain phrases can change the world around you.”

Weakness in the character development aside, Shae is a strong protagonist who struggles to create her own reality which differs quite markedly from the reality that her small town has imagined for her. Teens might connect with her more strongly than I did, which is to say, not at all.

I’m not sure what it was. Maybe I’m suffering from YA dystopian reading burnout?

Instead of appreciating Shae for her flaws which include falling in love too quickly, trusting everybody and pushing all her friends away the moment she could really use their help, I found myself annoyed with her.

“I spent countless nights lying awake, staring at the austere wooden beams of the ceiling, trying to figure out if I was mad or cursed- or both.”

Be smarter, I thought. The odds are stacked against you, and you need to pay attention, not fall for the first stranger you meet who has a dreamy pair of eyes.

But as I said, I’m definitely not the intended audience for the book.

Here’s the author, Dylan Farrow, talking about Hush:

Thank you to NetGalley and the publisher for an advance reader copy. And thank you for reading!

A Declaration of the Rights of Magicians by H.G. Parry

In a world where magic is real and controlled by government authorities, H.G. Parry re-imagines true historical events and people, inviting readers to add an additional layer of conspiracy to movements that changed the course of history like the French Revolution or the slave rebellion in the Caribbean.

The premise didn’t work for me for a couple reasons.

I felt like this book minimized the atrocities that were committed during the era. The slave trade and the French Revolution’s cost in both human lives and suffering is immeasurable, and it felt somewhat flippant to take those events and say, “Well, magic,” as the main driving force behind the conflicts.

I felt the same could be said for the subtle twisting of the lives of historic figures.

“His quiet voice spoke of a country built on Enlightenment principles, whose people were virtuous, where magic was a free resource to be used for the betterment of all, where food was well distributed and plentiful, where courts were in the hands of the people and not the talons of the Aristocracy, where the poorest Commoner was free to vote and grow and be educated.” pg 155

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That is not to say that history or historic personages couldn’t or shouldn’t be in fantasy novels. It is a hallmark of the genre to take a reality, change the rules of that reality, and then tell the story with the new rules. Though if that was what the author was going for, perhaps she should have staged her story in another world or made the focus of the story characters she invented with the real people living their lives in the backgrounds.

Taking real events, real people and real world locations to drive the story didn’t coalesce into the fantasy novel I believe she was reaching for.

I think fantasy, alternative-historical fiction is something that can be done successfully, but I have yet to see its promise fulfilled. This may be an unpopular opinion, but I had the same issues with this story that I had with Abraham Lincoln: Vampire Hunter.

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Students of history may find themselves frustrated by A Declaration of the Rights of Magicians because of the way the true events are spun. I didn’t have any specialized knowledge of the era, but a friend who is somewhat of an expert told me the complexity of the time period is so dumbed down that he was distracted by it.

“It had seemed so simple after the fall of the Bastille. The National Assembly of Magicians had risen up, exactly as Robespierre had hoped. They had issued a proclamation declaring it the right of all citizens to be free to practice their own magic: a Declaration of the Rights of Magicians.” pg 179

Setting my concerns with fantasy clumsily applied to horrific real life events aside, my biggest issue with this book was the glacial pacing. Readers sit through meeting after meeting, and it’s incredibly dull. But with the time period we were in, it should have been gripping. I told myself that a big payoff for all of this story building was coming, as the book clocks in at over 500 pages, but I felt like it never materialized.

I don’t mind a long book. But please, tell the story.

The Loop by Jeremy Robert Johnson

“It was so surprisingly calm that it took a few minutes before anyone in the room even noticed the way that Chris Carmichael was twitching at his desk.”

The first hint that something has gone wrong in Lucy Henderson’s town is a horrific event in her high school classroom. The violent-nature of the event triggers trauma from Lucy’s past, an emotional wound that goes so deeply into her psyche that she hasn’t begun to process it- let alone the damage it has left behind.

It doesn’t help that Lucy feels like an outcast and an outsider in her small hometown. Part of this is baggage from Lucy’s past, but the majority of it is the racism and tribalism she faces from the small-minded young adults in the community. They won’t let her forget she looks different from them and torment her with their racial hatred on a near-daily basis.

The only semblance of friendship in her life is with a young man who goes by the name of “Bucket,” for reasons that are explained in the story. (No spoilers.)

When all hell breaks loose in town, Lucy and Bucket only have each other and a few acquaintances to help in a race to save their families. The nightmare that they had been living solely in their minds becomes all too real.

“What the hell is going on in this town? Sometimes it feels like things are f*cked up in every direction, you know?”

The character and world-building of The Loop is well done in that I connected deeply with Lucy and Bucket before the story took off.

My lack of enjoyment of the book stems from the graphic nature of the violence against people and animals, both physical and mental. There are also brief instances of sexual abuse between underage teens as well as the discussions of porn with descriptions vague enough that young adults reading this book will immediately turn to Google to answer any questions they may have. There is bullying, unaddressed by the adults in the young peoples’ lives, as well as the trauma Lucy suffered at the hands of a system that should have protected her.

Which brings me to another discussion point, this is not a book for young adults. If it was television, it would carry a mature rating. The horror genre has a huge following and graphic violence is definitely a part of that. That being said, it is strange to me how cavalierly some treat depictions of absolutely horrific things.

I feel like society has become desensitized to violence in the media we mindlessly consume. Descriptions of fingers popping through eyeballs and knives cutting through flesh is delivered as a matter-of-course, part of what makes the story so scary.

I picked this title out of the myriad being published in the next months because it was compared to Stranger Things, a horror show, true, but one that leans on the psychological and paranormal scares far more than the physically violent ones. I watched that show with my young daughter. I would not let her read this book, at least until she’s 18.

I say that as a former librarian but also a mother.

All that being said, there are beautiful lines in the book that perfectly capture the agony of mental pain.

For example: “She imagined herself tilting her head back and opening her mouth to scream again, only this time her mouth kept opening and her jaw detached like a snake’s and she kept splitting until she was cleaved in two and all that came out of her was white flame.”

But I didn’t feel that the beauty of those fleeting moments made the time I spent reading the title worth it.

Recommended only for adult horror readers who can handle the triggers of violence and everything else described above.

Thank you to NetGalley and the publisher for a free digital advance readers copy of this book. The brief quotations I cited may be changed or omitted in the final, printed version.

Creatures of Will and Temper by Molly Tanzer

Creatures of Will and Temper is a historical fiction and fantasy novel that takes some of the magic contained in The Portrait of Dorian Gray and mixes it with some demons, and a pair of extraordinary sisters.

“Death is an illusion, just like anything else – like distance, for example, or time, or the separateness of one thing from another. The whole universe is only matter forming and reforming itself, endlessly, beautifully.” pg 6

The author, Molly Tanzer, builds layered characters with distinctive personalities who are a pleasure to read about. However, she takes so long doing this, that I nearly put the book down before I hit page 200 and the main story arc took off.

“Never let anyone tell you demons are unnatural things – they are perpetual, like fragile flowers that blossom anew each year, like the majestic pine that never goes brown.” pg 53

Prior to around page 200, Creatures of Will and Temper reads like a historical fiction with magical realism rather than the fantasy it actually is. The pace was incredibly slow.

But once I was over that two-thirds slump, the rest of the story (another 150 or so pages) was fantastic. I couldn’t put the book down at that point.

“We must give in to beauty, surrender ourselves to pleasure and enjoyment. We must return to hedonism, but we must also make it our own – for we are not sentimentalists, seeking to recreate an emotion time and again. It is our holy duty to create a new hedonism, a philosophy of passionate experience.” pg 170

The strength of this book is in the complex demonic world Tanzer hints at throughout. I wish she had focused on that world instead of this one! What a unique story it would have been.

As it stands, only recommended for readers who can tolerate a glacial pace on the way to a breath-taking ending.

The Golden Ass by Apuleius

Lucian longs to experience real magic. When he discovers it, an unfortunate misstep turns him into the title character. In the shape of an ass, Lucian suffers through a series of misadventures.

I wonder when Apuleius was writing The Golden Ass, if he ever imagined this particular novel would be the only one written in Latin to have made it through his time to ours in its entirety.

Perhaps that’s an unfair question, because how could a writer imagine something like that?

But if he could have somehow foreseen it, I think that he would have written something different than this rambling, depressing, occasionally obscene adventure. Or maybe not. Maybe it summoned up his society nicely.

Hypothetical ramblings aside, it didn’t make for an enjoyable reading experience.

A very large consideration for readers of The Golden Ass is the quality of the translation and how that may affect your enjoyment of the book. A friend and I read this book in tandem and this particular problem became clear quite quickly.

My edition, borrowed from the library, is a reprint of a translation by William Adlington in “Oxenford, September 1566,” and comes complete with the spelling and idiosyncrasies of his era.

“You perhappes (sic) that are of an obstinate minde (sic) and grosse (sic) eares (sic), mocke (sic) and contemme (sic) those things which are reported for truth, know you not that it is accounted untrue by the depraved opinion of men, which either is rarely seene (sic), seldome (sic) heard, or passeth the capacitie (sic) of mans reason, which if it be more narrowly scanned, you shall not onely (sic) finde (sic) it evident and plaine (sic), but also very easy to be brought to passe.” pgs 14-15, ebook

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I found many passages “passeth the capacitie of” my reason because the nearly five hundred years between Adlington’s translation and this made so much of it nearly unintelligible.

My friend read a modern translation by Penguin Publishing and reported a more positive reading experience. If given a choice between the two, please do pick the more modern version.

“Verily shee (sic) is a Magitian (sic), which hath power to rule the heavens, to bringe (sic) downe (sic) the sky, to beare (sic) up the earth, to turne (sic) the waters into hills and the hills into running waters, to lift up the terrestrial spirits into the aire (sic), and to pull the gods out of the heavens, to extinguish the planets, and to lighten the deepe (sic) darknesse (sic) of hell.” pg 19, ebook

Translation problems aside, I found the bulk of the story to be repetitive and, on the main, depressing. Things get worse and worse for our hero.

Yes, there is some measure of relief when we reach the end of our story and explore the mysteries of a cult whose rituals have been forgotten to history. But between the beatings and, as I mentioned, various obscene interludes, the end couldn’t come fast enough. Poor Lucian, “poore” William Adlington, and poor me!

The version I read of The Golden Ass, I recommend only for English majors, classicists or religious scholars. The appeal for modern readers just isn’t there.

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Category: Fiction

Black Sun (Between Earth and Sky, #1) by Rebecca Roanhorse

Or What You Will by Jo Walton

Eragon by Christopher Paolini

The Hollow Places by T. Kingfisher

Hush (Hush, #1) by Dylan Farrow

A Declaration of the Rights of Magicians by H.G. Parry

The Loop by Jeremy Robert Johnson

Creatures of Will and Temper by Molly Tanzer

The Golden Ass by Apuleius

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