Or What You Will by Jo Walton

Or What You Will by Jo Walton

Or What You Will is a unique fantasy novel about a writer, one of her fictional characters, her real life, a final story she is writing, and her love affair with the city of Florence.

“I have been a character, and I have been a narrator, but now I don’t know what I am.” pg 8, ebook.

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Told from the point of view of a character inside another character’s mind and between flashbacks to real life and an on-going fictional story-within-the-story, Or What You Will sounds quite complex. But once I got into the flow of it, I enjoyed this quirky tale quite a lot.

“Readers remember you. So you’ll live on in the books. It’s the only form of immortality the real world has.” pg 53, ebook.

I loved learning about Sylvia (the fictional writer’s) life, loves, and writing process. Part of its charm is that this is a meta-filled book for readers who love the process of writing and the development of characters. It is also filled with surprising and entertaining tidbits of real history about Florence which appealed to the amateur historian in me.

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There was plenty to enjoy in Or What You Will. My quibble with the book has to do with its ending.

After meticulously building an immersive world, or two, the author unceremoniously ends the story in a few paragraphs.

It was incredibly disappointing, especially when you consider the book is only 226 pages long (ebook). She had room to do more. In fact, I could have stayed in the world she created for twice as many pages.

That being said, the last few pages of the book made me cry. So, perhaps it was a satisfying ending in its way. I just wish it had been developed more fully.

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Other than the ending, this is a brilliant and totally unique story, unlike anything I’ve ever read. If you like Jo Walton’s other fantasies, you may want to give it a try.

Eragon by Christopher Paolini

Eragon by Christopher Paolini

Eragon follows the exploits of a boy, a dragon, and their fight against an evil king, and his henchmen, who would plunge the world into darkness.

Prophecies of revenge, spoken in a wretched language only he knew, rolled from his tongue. He clenched his thin hands and glared at the sky. The cold stars stared back, unwinking, otherworldly watchers.” pg 14, ebook

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Though it is written for children, Eragon is a charming tale that I thoroughly enjoyed as an adult reader. The pace was snappy, the characters were written quite well, and the story itself was a fun, adventure and fantasy.

“Eragon found the stone both beautiful and frightening. Where did it come from? Does it have a purpose? Then a more disturbing thought came to him: Was it sent here by accident, or am I meant to have it?” pg 16, ebook

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I did a little research about the author, Christopher Paolini, and was surprised to discover that this was one of the first books he published and he was in his teens when he wrote it. How impressive is that?

“Dragons will constantly amaze you. Thing… happen around them, mysterious things that are impossible anywhere else.”

There were a couple things I didn’t enjoy about Eragon, but they didn’t ruin my appreciation for the overall story. For example, I wanted Saphira the dragon to have a different personality. She has some character traits that I felt were incongruous with how an immensely powerful, magical being would act.

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When I think carefully about it, what a silly quibble to have with a story based in fantasy. But readers will have their preferences, and I like to picture dragons as either wise and benevolent, Buddha-like beings or demonic treasure hoarders along the lines of Smaug.

Paolini’s version of them is different from both of these extremes. He makes dragons fallible, like humans. Which, at the end of the day, makes this a better story for children. A lesson like, even the most powerful among us can make mistakes or experience unpleasant emotions like jealousy, is a good lesson to learn.

“These books are my friends, my companions. They make me laugh and cry and find meaning in life.” pg 153, ebook

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Highly recommended for young adult fantasy readers or the young-at-heart.

The Hollow Places by T. Kingfisher

The Hollow Places by T. Kingfisher

Kara is going through a hard time and is grateful for a chance to help out at her Uncle Earl’s museum. She has always loved it there.

“Nobody ever believes me when I tell them my uncle Earl owns a museum. They start to come around when I explain that it’s a little tiny museum in a storefront in Hog Chapel, North Carolina, although there’s so much stuff jumbled together that it looks bigger than it is.”

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But when Kara and Simon, the barista next door, attempt to repair a hole in the wall of the museum, they discover a hallway that shouldn’t be there.

“Frankly, I wasn’t even sure what you were supposed to do when you had an impossible hallway in the walls. Did you call the police to report that the laws of time and space were getting broken?”

What lies beyond the hallway? Kara and Simon are going to find out, and their lives are never going to be the same.

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First, I am not a big fan of the horror genre. But, The Hollow Places, is horror done the way I like it best.

There’s an unknown world with as-yet unknown dangers. The story is one of exploration and carefully-crafted reveals so you feel as if you’re on an adventure.

The characters are fantastic. Kara and Simon are people I would walk down a mysterious and magical hallway with, no question.

The author slowly builds the tension of the story so, for the most part, the main emotion the reader feels is a growing sense of dread. It’s an emotion a reader with an anxiety disorder (like me) is familiar with and there’s something very satisfying about having that feeling validated and then resolved.

I believe life rarely gives the same kind of closure.

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The voice of the main character, Kara, is down-to-earth and, occasionally, quite funny. I liked how the author gave her all sorts of relatable, every-day type problems and then, once the story started rolling, she re-evaluated the importance of issues that would have caused her major headaches prior to her life-changing experience.

I could see myself doing the same sort of thing if I was in her shoes.

The Hollow Places contains some nightmare-inducing moments but nothing I considered gratuitously violent. There’s some mild sexual references in the banter between the two main characters. This book might work for older teens who are looking for a spooky October read.

Highly recommended for readers of horror or who like their fantasies to have some thrills and chills.

Thank you to NetGalley and the publisher for a free digital copy of this book.

Hush (Hush, #1) by Dylan Farrow

Hush (Hush, #1) by Dylan Farrow

In the world of Hush, ink, the suspected origin of a deadly plague, has been declared the enemy of humankind and outlawed. The keepers of the law, High House and its magical soldiers called bards, roam the world, rooting out those who break the law and rewarding those who bend to their will.

“Our history shows that vigilance and caution are tantamount to survival. Burn the ink from the page. Turn away from forbidden words, toxic tales, and deadly symbols. Cleanse the country of this malignant blight. Join us.”

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Shae lost her brother to the mysterious plague early in her life and her family has been outcast from her small village since. When tragedy once again darkens her family’s doorstep, what will Shae do not only to seek justice for her brother but, potentially, the whole world?

The premise of Hush had some interesting ideas, but this debut, young adult novel suffers from wooden characters and predictable plot twists.

“The Bards arrive today.” The Bards. Suddenly I feel as though the house has been encased in ice. The town elders say there’s power in words- that certain phrases can change the world around you.”

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Weakness in the character development aside, Shae is a strong protagonist who struggles to create her own reality which differs quite markedly from the reality that her small town has imagined for her. Teens might connect with her more strongly than I did, which is to say, not at all.

I’m not sure what it was. Maybe I’m suffering from YA dystopian reading burnout?

Instead of appreciating Shae for her flaws which include falling in love too quickly, trusting everybody and pushing all her friends away the moment she could really use their help, I found myself annoyed with her.

“I spent countless nights lying awake, staring at the austere wooden beams of the ceiling, trying to figure out if I was mad or cursed- or both.”

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Be smarter, I thought. The odds are stacked against you, and you need to pay attention, not fall for the first stranger you meet who has a dreamy pair of eyes.

But as I said, I’m definitely not the intended audience for the book.

Here’s the author, Dylan Farrow, talking about Hush:

Thank you to NetGalley and the publisher for an advance reader copy. And thank you for reading!

A Declaration of the Rights of Magicians by H.G. Parry

A Declaration of the Rights of Magicians by H.G. Parry

In a world where magic is real and controlled by government authorities, H.G. Parry re-imagines true historical events and people, inviting readers to add an additional layer of conspiracy to movements that changed the course of history like the French Revolution or the slave rebellion in the Caribbean.

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The premise didn’t work for me for a couple reasons.

I felt like this book minimized the atrocities that were committed during the era. The slave trade and the French Revolution’s cost in both human lives and suffering is immeasurable, and it felt somewhat flippant to take those events and say, “Well, magic,” as the main driving force behind the conflicts.

I felt the same could be said for the subtle twisting of the lives of historic figures.

“His quiet voice spoke of a country built on Enlightenment principles, whose people were virtuous, where magic was a free resource to be used for the betterment of all, where food was well distributed and plentiful, where courts were in the hands of the people and not the talons of the Aristocracy, where the poorest Commoner was free to vote and grow and be educated.” pg 155

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That is not to say that history or historic personages couldn’t or shouldn’t be in fantasy novels. It is a hallmark of the genre to take a reality, change the rules of that reality, and then tell the story with the new rules. Though if that was what the author was going for, perhaps she should have staged her story in another world or made the focus of the story characters she invented with the real people living their lives in the backgrounds.

Taking real events, real people and real world locations to drive the story didn’t coalesce into the fantasy novel I believe she was reaching for.

I think fantasy, alternative-historical fiction is something that can be done successfully, but I have yet to see its promise fulfilled. This may be an unpopular opinion, but I had the same issues with this story that I had with Abraham Lincoln: Vampire Hunter.

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Students of history may find themselves frustrated by A Declaration of the Rights of Magicians because of the way the true events are spun. I didn’t have any specialized knowledge of the era, but a friend who is somewhat of an expert told me the complexity of the time period is so dumbed down that he was distracted by it.

“It had seemed so simple after the fall of the Bastille. The National Assembly of Magicians had risen up, exactly as Robespierre had hoped. They had issued a proclamation declaring it the right of all citizens to be free to practice their own magic: a Declaration of the Rights of Magicians.” pg 179

Setting my concerns with fantasy clumsily applied to horrific real life events aside, my biggest issue with this book was the glacial pacing. Readers sit through meeting after meeting, and it’s incredibly dull. But with the time period we were in, it should have been gripping. I told myself that a big payoff for all of this story building was coming, as the book clocks in at over 500 pages, but I felt like it never materialized.

I don’t mind a long book. But please, tell the story.

Creatures of Will and Temper by Molly Tanzer

Creatures of Will and Temper by Molly Tanzer

Creatures of Will and Temper is a historical fiction and fantasy novel that takes some of the magic contained in The Portrait of Dorian Gray and mixes it with some demons, and a pair of extraordinary sisters.

“Death is an illusion, just like anything else – like distance, for example, or time, or the separateness of one thing from another. The whole universe is only matter forming and reforming itself, endlessly, beautifully.” pg 6

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The author, Molly Tanzer, builds layered characters with distinctive personalities who are a pleasure to read about. However, she takes so long doing this, that I nearly put the book down before I hit page 200 and the main story arc took off.

“Never let anyone tell you demons are unnatural things – they are perpetual, like fragile flowers that blossom anew each year, like the majestic pine that never goes brown.” pg 53

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Prior to around page 200, Creatures of Will and Temper reads like a historical fiction with magical realism rather than the fantasy it actually is. The pace was incredibly slow.

But once I was over that two-thirds slump, the rest of the story (another 150 or so pages) was fantastic. I couldn’t put the book down at that point.

“We must give in to beauty, surrender ourselves to pleasure and enjoyment. We must return to hedonism, but we must also make it our own – for we are not sentimentalists, seeking to recreate an emotion time and again. It is our holy duty to create a new hedonism, a philosophy of passionate experience.” pg 170

The strength of this book is in the complex demonic world Tanzer hints at throughout. I wish she had focused on that world instead of this one! What a unique story it would have been.

As it stands, only recommended for readers who can tolerate a glacial pace on the way to a breath-taking ending.

The Golden Ass by Apuleius

The Golden Ass by Apuleius

Lucian longs to experience real magic. When he discovers it, an unfortunate misstep turns him into the title character. In the shape of an ass, Lucian suffers through a series of misadventures.

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I wonder when Apuleius was writing The Golden Ass, if he ever imagined this particular novel would be the only one written in Latin to have made it through his time to ours in its entirety.

Perhaps that’s an unfair question, because how could a writer imagine something like that?

But if he could have somehow foreseen it, I think that he would have written something different than this rambling, depressing, occasionally obscene adventure. Or maybe not. Maybe it summoned up his society nicely.

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Hypothetical ramblings aside, it didn’t make for an enjoyable reading experience.

A very large consideration for readers of The Golden Ass is the quality of the translation and how that may affect your enjoyment of the book. A friend and I read this book in tandem and this particular problem became clear quite quickly.

My edition, borrowed from the library, is a reprint of a translation by William Adlington in “Oxenford, September 1566,” and comes complete with the spelling and idiosyncrasies of his era.

“You perhappes (sic) that are of an obstinate minde (sic) and grosse (sic) eares (sic), mocke (sic) and contemme (sic) those things which are reported for truth, know you not that it is accounted untrue by the depraved opinion of men, which either is rarely seene (sic), seldome (sic) heard, or passeth the capacitie (sic) of mans reason, which if it be more narrowly scanned, you shall not onely (sic) finde (sic) it evident and plaine (sic), but also very easy to be brought to passe.” pgs 14-15, ebook

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I found many passages “passeth the capacitie of” my reason because the nearly five hundred years between Adlington’s translation and this made so much of it nearly unintelligible.

My friend read a modern translation by Penguin Publishing and reported a more positive reading experience. If given a choice between the two, please do pick the more modern version.

“Verily shee (sic) is a Magitian (sic), which hath power to rule the heavens, to bringe (sic) downe (sic) the sky, to beare (sic) up the earth, to turne (sic) the waters into hills and the hills into running waters, to lift up the terrestrial spirits into the aire (sic), and to pull the gods out of the heavens, to extinguish the planets, and to lighten the deepe (sic) darknesse (sic) of hell.” pg 19, ebook

Translation problems aside, I found the bulk of the story to be repetitive and, on the main, depressing. Things get worse and worse for our hero.

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Yes, there is some measure of relief when we reach the end of our story and explore the mysteries of a cult whose rituals have been forgotten to history. But between the beatings and, as I mentioned, various obscene interludes, the end couldn’t come fast enough. Poor Lucian, “poore” William Adlington, and poor me!

The version I read of The Golden Ass, I recommend only for English majors, classicists or religious scholars. The appeal for modern readers just isn’t there.

Eight Skilled Gentlemen (The Chronicles of Master Li and Number Ten Ox, #3) by Barry Hughart

Eight Skilled Gentlemen (The Chronicles of Master Li and Number Ten Ox, #3) by Barry Hughart

“My experience with the old man has taught me to keep my mouth shut when the wrinkles around his eyes squeeze up in tight concentric circles, so I waited until his mind relaxed along with the wrinkles, and then he shook himself and turned toward me.” “Ox, have you ever visited the Forbidden City?”

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Eight Skilled Gentlemen is the final book of The Chronicles of Master Li and Number Ten Ox series. I feel it missed the mark somewhat.

Like the previous two books, it has some beautiful imagery and fantastical magic sequences based in an ancient fictional China of Barry Hughart, the author’s, own creation. As usual, I liked the interactions between our two heroes. I also liked riding along while Master Li and Ox attempt to solve the murder mystery.

“All we can do now is go down that list of involved mandarins and find the weak link. You may have you break a few of the bastard’s bones, my boy, but one way or another he’s going to enable us to toss the rest of them in jail,” the sage said grimly.”

Unlike the rest of the series, the overarching story for this entry felt scattered, so much so, that the ending felt almost tacked on. Which seems like a harsh criticism, except those final scenes were my favorite of the book.

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If only it had felt more connected to the rest of the tale…

Like some of the other readers of this series, I noticed some repetition in Hughart’s storytelling by the third book. Formulaic can still be brilliant, but I’m not certain this book reached that bar.

There was also Hughart’s unfortunate tendency to have his characters launch into song or prose within the story. This should have added to the immersive feeling of the reading experience, but I found myself skimming when I reached those sections. Again, it felt more repetitive this time around than magical.

Adding to my disappointment, Eight Skilled Gentlemen was clearly supposed to be part of a longer series. The final few lines of the book offer no satisfying conclusion for characters whom I have come to love during the 850 pages I spent with them.

The little bit I have researched about the author seems to indicate Hughart had a disagreement with his publisher and then tired of writing it. He passed away in August of last year.

It is incredibly sad because the books are so lovely and Hughart deserved the chance to finish them in a manner he saw fit. I think it’s a loss not just for the author’s family but for the entire fantasy-reading world.

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In conclusion, if you haven’t read this series and like fantasy, you must give it a try. Just be aware it is a work of art with an abrupt end.

The Story of the Stone (The Chronicles of Master Li and Number Ten Ox, #2) by Barry Hughart

The Story of the Stone (The Chronicles of Master Li and Number Ten Ox, #2) by Barry Hughart

“Ox,” he said, “the writing of your memoirs is doing wonders for your calligraphy, but I must question the content. Why do you choose the rare cases in which matters run melodramatically amok?” I heroically refrained from saying, “They always do.”

The Story of Stone, Barry Hughart

Master Li and Number Ten Ox are at it again.

There’s an unexplained murder, puzzling fragment of a poorly-finished forgery, and nature herself is leaving clues behind with whole swathes of plants dying in a strange pattern.

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“I wasn’t sure that any autopsy could be delightful, but I didn’t care. The old fire had returned to Master Li’s eyes, and I felt like a warhorse who was being called back into battle.”

In the course of solving the mystery, Li and Ox encounter ghosts, hidden torture chambers, and make a journey down to the depths of hell. It is one of the finest homages to Dante’s Inferno that I’ve ever had the pleasure to read.

“Ox, what do you smell in the air?” he asked. “Wet earth, pine needles, pork fat, donkey manure, and perfume from Mother Ho’s House of Joy,” I said. “Wrong. You smell destiny,” Master Li said happily.

And, as usual, readers get to enjoy the sometimes hilarious, and always entertaining, interplay between a brilliant scholar and his surprisingly strong sidekick.

Recommended for readers who enjoy a blend of fantasy, mystery and historical fiction.