Cairo is an urban fantasy graphic novel set against the backdrop of the desert city of the same name. It has magical creatures, confused young men, drug dealers, magicians, Israeli soldiers and more.
Everyone in this story is looking for something. If it’s not a magical hookah, it is a search for love, truth, their higher self or more power. I suppose the entire story could be used as a reminder that “wherever you go, there you are”.

“I wanted to do something. Get away from self-obsessed first world crap. I felt like the monoculture was suffocating me. I didn’t want to get stuck where I was. You know that feeling?” “I know it. But I do not think you’ll find what you are looking for in Cairo.” “Why’s that?” “Because a lot of us are stuck here.”
I was drawn to this graphic novel because of the teasers that promised mythology mixed with fantasy. It does contain that, but everything felt so rushed. Readers didn’t get the context of any of it. We’re just thrust into a world that doesn’t make much sense and spend much of the story grasping at straws of understanding.
In a way, it is much like real life. However, I prefer my graphic novels to be more of an exercise in escapism than a mirror for real life.
Give me layered worlds, complex story lines, nuanced characters and deep-seated meaning. I felt Cairo reaching for those things, but not quite getting there.

We do have quite a number of main characters, which, by its nature, makes the story more complex. But, in this case, I felt that more was not better because all of the characters felt so one-note.
The exception to this classification was Shams, the jinn. We get glimpses into his millennias-long life, relationships to other storied characters, guardianship of a sacred object and spiritual leanings. Even then, I wanted more.
“Welcome to your new home, oh jinn. We’ll talk again when you are more reasonable. Take all the time you need.”
The illustrations are done in black and white, and feel rather gritty. I imagine the whole thing could have taken on a completely different character with a couple good punches of color.

My favorite part was when one of the main characters reaches for a hero’s sword in a test of faith. G. Willow Wilson, the author, uses a poem by Hafiz to put words in the hero’s mouth as he strives to touch another reality and lay claim to the magical blade.
“The place where I am right now… was circled on a map for me.”
Though the translation Wilson used varies from the version I am familiar with, which reads: “This place where you are now, God circled on a map for you.”
Still, it is a beautiful sentiment. Rather like the intention, if not execution, of this graphic novel.
Thanks for reading.
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